Saturday, May 28, 2016
5/27/16 Rare grooves #2 +1LP Mendelssohn's 4th Sym. 'Italian' by Colin Davis in Boston (1976) (a transfer by Enrico B.) 5/24/16 Medieval Music: New links 5/24/16 Debussy #6 +1CD String Quartet (+ Brahms's Op. 51/1) by the Ceruti Quartet (2008) 5/24/16 Debussy #5 +1CD Images & other piano pieces by Zoltan Kocsis (1988) 5/24/16 Debussy #5 1CD set Préludes & Etudes by Georges Pludermacher (2003) 5/21/16 Debussy #2 +1CD set The complete Mélodies with Ameling, von Stade, Command, Mesplé & Souzay 5/21/16 Debussy #2 +3CDs Mélodies by Christopher Maltman, Véronique Gens and Gérard Souzay 5/19/16 Debussy #5 +1CD Estampes, Pour le piano, Suite bergamasque etc. by Bruno Canino (a rip by Corrado D.) 5/19/16 Debussy #3 +1CD La mer, Préludes & Nocturnes by Jean Martinon in Paris (1974) 5/19/16 Odd Couple +1Bonus, Chopin for Cello & Piano with Piatigorsky, Bonucci & Amfitheatrof (encode by Corrado D.) 5/18/16 Debussy #6 +1CD Sonatas for Cello + Flute, Viola & Harp by Lincoln Center Chamber Music Society (2007) 5/18/16 Musique Française #2 +1CD set Ravel's Piano Music by Jean-Efflam Bavouzet (2003) (a rip by Corrado D.) 5/17/16 Musique Française #3 +1CD Ravel's Ma Mère l'Oye & Prokofiev's Cinderella by piano duo Argerich & Pletnev 5/17/16 Debussy #5 +1CD Préludes by Steven Osborne (2006) 5/17/16 Debussy #5 +1CD Préludes Book 1 & Children's Corner by Nelson Freire (2009) 5/17/16 Debussy #5 +1CD set, Préludes etc by Samson François (1970) (includes 5 Etudes) 5/17/16 Debussy #5 +1CD Images, Pour le piano & Suite bergamasque by Cécile Ousset (1986) 5/16/16 Summer Nights #8 +1CD set Brahms' Symphonies by Antal Dorati (a rip by Corrado D.) 5/16/16 Brahms +2CDs Piano Quartets by J. Demus & the Barylli + Richter & the Borodin (2nd) (rips by Corrado D,) 5/15/16 A Weimar Rhapsody +1CD Krenek Piano Sonatas Nos. 2 & 4 + G. Washington's Variations. (M. Korzhev, 2007) 5/15/16 Musique Française #1 +1CD Koechlin and Jolivet's Chamber Music with Flute (Philippe Racine, 1989) 5/13/16 Debussy #3 +1CD Jeux, Images, Prélude, Danses with Serge Baudo in Prague (1977) 5/13/16 Debussy #5 +1CD Alice Ader's rare album with Images, Estampes, Martyre de S-S, Masques etc. (1989) 5/5/16 Stravinsky #2 +1CD Sacre du printemps (+ Bartok & Boulez) by P. Boulez in Salzburg with the GMJO (1997) 5/5/16 Stravinsky #2 +1DVD Le rossignol by J. Conlon in Paris (Dessay/McLaughlin/Simcic/Urmana/Naouri) (1999) 5/5/16 Bartok #5 +1CD Miraculous Mandarin & Dance Suite by B. Maderna in Monte-Carlo (1968) (a rip by Corrado D.)5/4/16 Massenet Operas: +CD Don Quichotte at Mariinsky theater, Furlanetto/Gergiev 5/4/16 Early Music Collections: New links 5/3/16 Brahms +1CD The Quartets for Voices & Piano by the Kammerchor Stuttgart, A. Rothkopf & F. Bernius (1983)5/3/16 Brahms +1CD The String Quintets by the Hagen SQ & G. Caussé5/3/16 Brahms +1CD set The String Quartets (Italiano SQ) & Clarinet Sonatas (G. Pieterson & H. Menuhin)5/3/16 Brahms +2CDs Piano Sonata No. 3 by Lupu & String Sextets by Carmignola, Brunello etc. (rips by Corrado D.)5/3/16 Brahms +1CD Die schöne Magelone with Andreas Schmidt and Jörg Demus (1988) 5/3/16 Opera Favourites #1 +1DVD Offenbach's Les Contes d'Hoffmann by F. Chaslin in Macerata 2004 5/2/16 Summer Nights #8 +1CD set Brahms's Symphonies by B. Haitink in London (2004) 5/2/16 Summer Nights #8 +1CD Brahms's 2nd Symphony by C. Davis in Munich (1988) 5/2/16 Brahms +1CD Cello Sonatas by du Pré & Barenboim (1968) 5/2/16 Brahms +1CD Late Piano Pieces by Radu Lupu (1970) 5/2/16 Brahms +2CDs Ballades Op. 10 by Gould (1983) & Brendel (+ Weber's Grand Sonata) (1990) 5/2/16 Brahms +3CDs Piano Sonata No. 3 by Barenboim (1996), Perahia (1991), Kissin (2001) 4/27/16 Brahms +1CD/1Bonus Violin C.to: D. Oistrakh & Pedrotti (1961, rip by Corrado D.) + Fischer & Sinopoli (2000) 4/27/16 Brahms +1CD set Piano Concertos by Freire & Chailly (2006) 4/27/16 Brahms +4CDs Piano Concertos by Pollini & Abbado, Ax & Haitink, Donohoe & Svetlanov 4/27/16 Brahms +3CDs Violin Sonatas: Zukerman & Neikrug (1992), Tetzlaff & Vogt (2002), Mutter & Orkis (2010) 4/25/16 Rachmaninov #1 +3CDs the 3 Operas (Aleko, The Miserly Knight, Francesca da Rimini) by N. Järvi (1996) 4/23/16 Wintery Romantics +1Bonus Dvorak Symphony No. 7 by I. Fischer in Rome (2006) 4/23/16 Strauss #1 +1Bonus Le bourgeois gentilhomme by Christopher Hogwood in Milan (2005) 4/23/16 Rachmaninov #1 +1CD Symphony No. 1 & Isle of the Dead by M. Pletnev and the RNO (2000) 4/23/16 Rachmaninov #2 +1Bonus, 3rd Concerto by B. L. Gelber & E. Krivine in Geneva (1988) 4/23/16 Rachmaninov #2 +1CD set The Concertos in E. Wild & J. Horenstein's great recording in London (a rip by Odeon) 4/23/16 Rachmaninov #2 +3CDs Ashkenazy/Haitink; Glemser/Wit; Zilberstein/Abbado classic recordings of concertos 4/23/16 Rachmaninov #1 +2CDs Preludes by Weissenberg (1969) & 2nd Symphony by I. Fischer (2003) (rips by Sasha) 4/22/16 Schumann Piano Trio Op. 63 & Ravel's by the Trio di Bolzano (1954) (a rip by Corrado D.) 4/22/16 Prokofiev #1 +1CD set 5th Symphony by L. Maazel in Cleveland (1977) (+ Rimsky's orch. works) (a rip by Sasha) 4/22/16 Wagner's Ring +4DVDs The entire Ring des Nibelungen in J. Levine's fundamental Met production for DGG 4/21/16 Wagner's Die Walküre +1DVD the great Boulez 1980 production (Hofmann, Altmeyer, McIntyre, Jones, Schwarz) 4/20/16 Wagner's Tristan und Isolde 2DVDs Z. Mehta in Munich (1998) and J. Levine in NYC (1999) 4/20/16 Wagner's Die Meistersingers +1DVD J. Levine's 2001 release (Morris, Heppner, Mattila, Allen, Pape, Polenzani) 4/20/16 Liszt's Sonata: +1CD Peter Donohoe's 1989 recording (including Berg and Bartok's Sonatas) 4/20/16 Wintery Romantics +1CD Tchaikovsky and Dvorak: Serenade for Strings by C. Davis in Munich (1987) 4/20/16 Hindemith +1CD Reger's Clarinet Quintet & String Quartet by Karl Leister and the Vogler Quartett (1999) 4/20/16 Stravinsky #2 Apollon Musagète & Cantata by Esa-Pekka Salonen, new rip and scans available. 4/20/16 Summer Nights #8 +1CD set Brahms The Symphonies by Gustav Kuhn in Bolzano (a rip by Corrado D.) 4/19/16 Rachmaninov #1 +2CDs 2nd Symphony by S. Bychkov (1990) & Symphonic Dances by E. Batiz (1991) 4/19/16 Rachmaninov #1 +1CD 6 Choruses Op. 15 (+ Scriabin's 1st Symphony) by Valeri Polyansky (2004) 4/19/16 Rachmaninov #1 +1CD set & 1CD Preludes and Etudes-Tableaux by N. Lugansky, M. Petkova & L. McCawley 4/18/16 Wintery Romantics +6 CDs Scriabin Sonatas, Etudes, Piano Concerto, Poème de l'extase, Prometheus 4/18/16 Schubert #2 +1CD Symphony No. 9 'Great' by Daniel Barenboim in Berlin (1985) 4/18/16 Prokofiev #1 +1CD Symphonies Nos. 5 & 1 by André Previn in Los Angeles (1986) 4/17/16 Wintery Romantics +1CD Piano Trio by Perlman, Harrell, Ashkenazy (1980) 4/17/16 Wintery Romantics + 3CDs Tchaikovsky's 5th (Ormandy 1981) & 6th (Gergiev 1995), Ballet Suites by Karajan 4/17/16 Wintery Romantics +1CD Tchaikovsky's Violin Concerto by V. Mullova and S. Ozawa (+ Sibelius) (1985) 4/17/16 Wintery Romantics +1CD set Tchaikovsky's Symphonies Nos. 4, 5, 6 by Gergiev and the Vienna Philh. (2004) 4/16/15 De Fesch Concerti - Musica ad Rhenum: New links 4/15/16 Musique Française #2 +1CD Respighi's Sinfonia Drammatica by Daniel Nazareth in Bratislava (1986) 4/15/16 Stravinsky #1 +1Bonus, Oedipus Rex by Jeffrey Tate in Turin 1999 (Moser, Lipovsek, von Kannen, Kapellmann) 4/15/16 Opera Favourites #3 +1DVD Levine's Trovatore at the Met 1988 (Pavarotti, Marton, Milnes, Zajick, Wells) 4/15/16 Summer Nights #1 +1CD Erwin Schulhoff's piano works by Ulrich Urban (1993) 4/15/16 Messiaen +1CD Turangalila-Symphonie with R. Chailly (J-Y. Thibaudet, p.; T. Harada, o.M.) (a rip by Cunctator) 4/14/16 Wintery Romantics +1CD Sibelius & Nielsen, Violin Concertos, by Maxim Vengerov & Daniel Barenboim (1996) 4/14/16 Summer Nights #12 +1CD B. Walter Violin Sonata & K. Goldmark 1st Suite by P. Graffin & P. Devoyon (2000) 4/14/16 Stravinsky #2 +2CDs Petrushka by D. Zinman in Baltimore & Symphony in 3 Movs. by J. Conlon in Rotterdam 4/14/16 Stravinsky #2 +1DVD Gergiev and the Vienna Philh. in Salzburg for The Firebird (+ Prokofiev & Schnittke) 4/14/16 Strauss Great Operas #2 +1DVD Ariadne auf Naxos by Colin Davis in Dresden (2000) 4/14/16 In the Name of Music +1CD Orff's Catulli Carmina & Trionfo di Afrodite by Franz Welser-Möst (1995)4/14/16 In the Name of Music +3CDs Orff's Carmina Burana by Z. Mehta (1992), A. Previn (1993) & R. Shaw (1980) 4/14/16 Hindemith +2CDs F. Schmidt's 4th Symphony (F. Welser-Moest) and Selected Organ Works (A. Juffinger) 4/14/16 Wintery Romantics +1CD Moritz Moszkowski's piano works by Seta Tanyel (1993) 4/14/16 Shostakovich #2 +1CD Piano Sonatas Nos. 2, 3, 4 by Nikolai Miaskovsky in Lydia Jardon's recording (2007) 4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Riccardo Chailly in Amsterdam (1993) 4/13/16 Darmstadt #2 +1Bonus File: Nono's Il canto sospeso with Mario Venzago in Milan 2000 (+ Berg's Op. 6) 4/13/16 Bartok #1 +1Bonus File: Piano Concerto No. 3 with Roberto Cominati e Juraj Valcuha in Turin (2007) 4/13/16 Stravinsky #2 +1CD Esa-Pekka Salonen 1988 recording of The Firebird and Jeu de Cartes in London 4/13/16 Stravinsky #2 +2CDs Haitink's Berlin Philh. recordings of The Firebird, Scènes de Ballet & Petrushka (1988/9) 4/13/16 Summer Nights #11 +1CD Joseph Suder's Piano Concerto and piano pieces by Margarita Höhenrieder (1988) 4/13/16 Selig im Glauben (Wagner's Parsifal) +2DVD sets: Levine in NYC (1992) and Nagano in Baden-Baden (2004) 4/13/16 Debussy #6 +1CD String Quartet (+ Zemlinsky's 2nd String Quartet) by the Casals String Quartet (2004) 4/13/16 Summer Nights #2 +1CD Zemlinsky, Marx, Schreker: Lieder by Dorothy Dorow & Massimiliano Damerini (1980)4/13/16 Summer Nights #2 +1CD Zemlinsky's Psalm 23 & Symphony in B-Flat by Riccardo Chailly in Berlin (1987)4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Giuseppe Sinopoli in Vienna (1995)4/13/16 Summer Nights #2 +2CDs Zemlinsky by James Conlon (Eine florentinische Tragödie & Lyrische Symphonie) 4/13/16 Opera Favourites #2 +1DVD Puccini's La fanciulla del West by Nello Santi in London (1983) 4/13/16 Opera Favourites #2 +1DVD Puccini's La Bohème by Lamberto Gardelli in London (1982) 4/13/16 Summer Nights #5 +1CD Clemens Non Papa's Missa Pastores by the Tallis Scholars under Peter Phillips (1987) 4/13/16 Stravinsky #2 +2CDs Le sacre du printemps by B. Haitink in Berlin (1995) and M. Alsop in Baltimore (2006) 4/13/16 Stravinsky #1 +2CDs Oedipus Rex: Colin Davis' 1983 and Esa-Pekka Salonen's 1991 recordings. 4/13/16 Stravinsky #2 +2CDs Esa-Pekka Salonen for Apollo, Cantata, Concerto and Works for Piano & Orchestra (1988-90) 4/12/16 Contrappunti Italiani +1CD Scarlatti Sonatas in Ivo Pogorelich's classic 1991 recording 4/12/16 Wintery Romantics +2CDs Szymanowski's Piano Music by Marc-André Hamelin (2002) & Roland Pöntinen (2008) 4/12/16 Wintery Romantics +1CD Scharwenka's 2nd Sonata, Romanzero with Seta Tanyel (1992) 4/12/16 Wintery Romantics +1CD Rimsky-Korsakov's Scheherazade with L. Maazel and the Berlin Philh. (1985) 4/12/16 Prokofiev #2 +2CDs Piano Sonatas Nos. 1-5 and 9 & 10; Piano Sonatinas (P. Donohoe) + Cello Sonata (Wallfisch) 4/12/16 Prokofiev #1 +1CD Symphony No. 2 with Valery Gergiev and the USSR TV & Radio Symphony (1988) 4/12/16 Prokofiev #1 +1CD Alexander Nevsky with Riccardo Chailly in Cleveland (1983) 4/12/16 Prokofiev #1 +1CDs set Alexander Nevsky & Ivan the Terrible with Mstislav Rostropovich and the LSO (1991) 4/12/16 Prokofiev #1 +1CD Violin Sonatas with Erik Schumann & Henri Sigfridsson (2007) 4/12/16 Prokofiev #1 +1CD Complete works for Cello and Piano with Raphael Wallfisch & John York (1999) 4/8/16 Cello Sonatas New links 4/4/16 Schumann +1CD set The Symphonies by Gustav Kuhn and the Haydn Orchestra (2010) (a rip by Corrado D.) 4/4/16 Hindemith +1CD Reger: 4 Solo Violin Sonatas by Ulrike-Anima Mathé (1995) 4/3/16 Hindemith +1CD Reger's Clarinet Quintet by Wenzel Fuchs & the Berlin Philharmonic String Quartet (1999) 4/3/16 Hindemith +1CD set Reger's Cello Sonatas by Alban Gerhardt and Markus Becker (2008) 4/3/16 Hindemith +1CD set Reger's Complete Works for Clarinet & Piano (Ib Hausmann & Nina Tichman, 1998) 4/3/16 Hindemith +1CD Reger: 2 Violin Sonatas by H. Schneeberger & J-J. Dünki (1991) 4/3/16 Hindemith +1CD Reger's Mozart Variations (+Schumann, Weber & Naumann) by Blomstedt in Dresden (1990) 4/3/16 Hindemith +1CD Reger: 3 Solo Violin Sonatas by Ulrike-Anima Mathé (1993) 4/3/16 American Classics +1CD Korngold's Symphonic Serenade + Griffes' Roman Sketches by S. Pittau and the LSO 4/3/16 Contrappunti Italiani +1CD Busoni pieces by G. Andaloro & M. Vacatello (+Franck, Handel, Liszt, Chopin) (2005) 4/3/16 Contrappunti Italiani +1CDset Malipiero's complete String Quartets by the Orpheus String Quartet (1991) 4/3/16 Contrappunti Italiani +1CD Busoni's Turandot Suite + Casella & Martucci's orchestrals works: Riccardo Muti (1992)4/3/16 Contrappunti Italiani +1CD Busoni's Piano Concerto by Garrick Ohlsson & Christoph von Dohnányi (1989) 4/3/16 Contrappunti Italiani +2CDs Busoni's 6 Sonatinas both by Roland Pöntinen (1999) and Michele Campanella (1981) 4/3/16 Contrappunti Italiani +1CD Busoni: Elegies and Sonata by Bruce Wolosoff (rare CD 1986) 3/30/16 Schumann +1CD Alicia de Larrocha for Piano Concerto (C. Davis) + Piano Quintet (Tokyo SQ) 3/30/16 Summer Nights #8 +1CD Brahms' 1st Symphony by Sawallisch in London (1991) (a rip by Corrado) 3/29/16 Summer Nights #1 +1CD Lieder by Korngold, Schreker, Weigl & Schoenberg by S. Kimbrough & D. Baldwin 3/29/16 Mahler Das Lied von der Erde +1CD K. Sanderling 1985 recording (with P. Schreier & B. Finnilä) (a rip by Juan F.) 3/28/16 Summer Nights #8 +1CD Brahms' Symphony No. 3 with Carlo Maria Giulini in Vienna 1991 3/28/16 Strauss #2 +1DVD Giuseppe Sinopoli and the Staatskapelle Dresden: Eine Alpensinfonie (+Wagner's Rienzi Ov.) 3/26/16 Mahler Das Lied von der Erde +1DVD Semyon Bychkov in Cologne (with Torsten Kerl & Waltraud Meier) 3/26/16 Wintery Romantics +2CDs Gorecki's 3rd Symphony (Zinman) and Khachaturian's Ballet Suites (Simonov) 3/26/16 Wintery Romantics +3CDs Lyapunov, Paderewski, Moszkowski's Piano C.tos; Moszkowski, Karlowicz's Violin C.tos 3/26/16 Wintery Romantics +2CDs Borodin's Symphonies by V. Gergiev (Rotterdam, 1990) and M. Ermler (Moscow, 2000) 3/26/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1966) 3/25/16 Hindemith +2CDs Bernstein's and Eschenbach's recordings of Orchestral Works (with Midori for the Violin C.to) 3/25/16 Debussy #1 +1CD Montserrat Caballé for La damoiselle élue (and Chausson's Poème), Wyn Morris conducting. 3/25/16 Second Viennese School Ess.ls #3 +2CD Berg's Violin C.to (van Keulen) + Orchestral Works (M. Venzago, cond.) 3/25/16 Second Viennese School Ess.ls #3 +1CD Berg's Kammerkonzert conducted by Hindemith (1959) 3/24/16 A Weimar Rhapsody +1CD Krenek's Quartets Nos. 1 & 7 by the Petersen String Quartet (2003) 3/24/16 Strauss Operas #2 +2DVDs Abbado's (1989) and Böhm's (1981) Elektra in Vienna 3/24/16 In the Name of Music +4CDs Wolf's Lieder Bär & Fischer-Dieskau + Italienisches Liederbuch (Cotrubas/Allen & Oelze/Blochwitz) 3/24/16 In the Name of Music +1CD Pfitzner's Lieder selection with J. Kaufmann, C. Prégardien & A. Schmidt (1997) 3/24/16 In the Name of Music +2CDs Mendelssohn's Symphony No. 2 'Lobgesang' by Abbado (1985) and Chailly (2005) 3/24/16 Wagner Romantic Masterpieces +1DVD James Levine's celebrated Lohengrin at the Met 1986. 3/24/16 Strauss #4 +1CD Don Quixote in Pierre Fournier's classic Szell/1960 recording in Cleveland (a rip by Sasha) 3/18/16 Schubert #2 +1CD Symphony No. 3 by Ilan Volkov (+ Haydn's Symphony No. 46 & Mendelssohn's Melusine) 3/18/16 Schumann +1CD Brigitte Engerer's late studio recording (2003), including Mendelssohn, Chopin and Liszt. 3/18/16 Schumann +2CDs Concerto (+Grieg's) by Kovacevich & C. Davis (1971); Symphonic Etudes by Brendel (1990) 3/18/16 Schubert #3 +1CD New Rip and original scans of Winterreise by Hampson and Sawallisch (1997) 3/17/16 Poulenc +2CDs Sonatas by Pascal Rogé & Friends & Gloria by Andrew Davis (+ Stravinsky's Psalms Symphony) 3/17/16 Strauss #4 +1CD Pfitzner and Strauss Orchestral music from Operas, with Thielemann at the Berlin Deutschen Oper 3/16/16 Wintery Romantics +2CDs Grieg's Lyric Pieces (Andsnes, 2001) and 3 Violin Sonatas (Amoyal & Chiu, 1999) 3/16/16 The long Goodbye +1CD Beethoven's 9th Symphony in Karajan's classic London recording (1955) (a rip by Sasha) 3/15/16 Liszt +1CD Piano Sonata (+Scriabin's 2nd Sonata) by Ivo Pogorelich (1992) 3/15/16 Musique Française #1 +1CD Saint-Saëns' Symphony No. 3 with Peter Maag and Daniel Chorzempa (1986) 3/15/16 Mahler Lieder +1CD Des Knaben Wunderhorn by Charles Mackerras (with A. Murray and T. Allen) (1990) 3/15/16 Summer Nights #1 +1CD Korngold's Lieder by Steven Kimbrough and Dalton Baldwin (1984) 3/15/16 Mahler 9 +1CD Myung-Whun Chung and the Seoul Philharmonic Orchestra 3/14/16 Musique Française #1 +1CD Dutilleux's Correspondance and 'Tout un monde lontain...' with Salonen (2011) 3/14/16 Second Viennese School Ess.ls #3 +1CD Boulez's rec.of Schoenberg's Suite Op. 29 & Op. 4 in the Sextet version 3/13/16 Strauss #4 +1CD Lieder with Soile Isokoski and Marita Viitasalo (the studio recording on Ondine) 3/12/16 American Classics +1CD Vernon Duke's Violin Concerto and Sonata by Elmira Darvarova and Scott Dunn 3/12/16 Shostakovich #1 +1BONUS Symphony No. 4: Jukka-Pekka Saraste & the Orchestra Sinfonica della RAI (2004) 3/12/16 Strauss Operas #2 +1DVD Der Rosenkavalier: Franz Welser-Möst's production in Zürich (2004) 3/11/16 Summer Nights #10 +1CD Keith Emerson's Piano Concerto in Emerson's recording from 1977 (J. Mayer, LPO) 3/11/16 Bartok's Voices #5 +1CD Georg Solti's Hungarian Connections, works by Bartok, Weiner, Kodaly, Liszt (1993) 3/11/16 Strauss Great Operas #1 +1CD set Kurt Masur's Ariadne auf Naxos in Dresden (1988) 3/11/16 Strauss Great Operas #1 +1DVD James Levine's Ariadne auf Naxos in New York (1988) 3/11/16 Strauss Great Operas #1 +1CD set with James Levine's Ariadne auf Naxos in Vienna (1987) 3/11/16 Musique Française #2 +1CD Milhaud's orchestral music and Harp Concerto (F. Cambreling) with Kent Nagano 3/11/16 Musique Française #1 +1CD Dukas' complete piano music by Laurent Wagschal (2013) 3/10/16 Remembering Harnoncourt's early recordings: +1CD Music at the Court of Mannheim 3/10/16 Menotti's The Medium +1DVD the 1977 classic video recording with Maureen Forrester as Madame Flora 3/10/16 Gershwin +1DVD Simon Rattle's Porgy & Bess (Glyndebourne 1993) 3/10/16 Debussy #6 +1CD Transcriptions for 2 Pianos of Jeux + Stravinsky's Sacre & Bartok's Portraits by Bavouzet & Guy 3/10/16 Debussy #6 +1CD Violin Sonata (+ Pierné's and Fauré's 1st) by C. Giovaninetti & I. Aoyagi (2013) 3/10/16 Debussy #6 Violin Sonata (+ Brahms' 2nd & Schubert's 1st Sonatina) Simone Bernardini & Vanessa Benelli-Mosell 3/10/16 Debussy #3 +1CD Printemps, La boite à joujoux, Children's Corner with Dutoit in Montréal (1994) 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Wozzeck in 1987 Claudio Abbado's production in Vienna 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 2002 Franz Welser-Möst's production in Zürich 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 1996 Andrew Davis' production in Glyndebourne 3/9/16 Bartok #5 +1CD Concerto for Orchestra with the Purcell School Orchestra conducted by Lionel Friend (1997) 3/9/15 Malcolm Arnold Symphonies - new links added 3/9/16 Summer Nights #3 +1CD Wagner scenes with tenor William Lewis and conductor Gabor Ötvös 3/4/16 Weill +1CD set 'Street Scene' in John Mauceri's 1990 classic recording for Decca 3/4/16 Strauss Operas #1 +1DVD Levine's Elektra (1980, B. Nilsson, L. Rysanek, M. Dunn, D. McIntyre, R. Nagy) 3/4/16 Stravinsky #1 +1DVD Ozawa's Oedipus Rex (1993), directed by Julie Taymor (P. Langridge, J. Norman, B. Terfel) 3/2/16 Ein Bach... +1CD Catalan keyboardist Miquel Villalba's splendid recording of the Goldberg Variations 3/2/16 Ein Bach... +1CD Glenn Gould's must-have 1981 recording of the Goldberg Variations for CBS 3/2/16 Ein Bach... +1CD Angela Hewitt's rare early Canadian recording of Concertos BWV 1052-3-6 with M. Bernardi 3/2/16 Ein Bach... +7CDs Murray Perahia's Concertos, English Suites, Partitas and Goldberg Variations for Sony 3/2/16 Ein Bach... +1CD set: Anner Bylsma's classic recording of the Cello Suites (1991) 2/21/16 Spanish School #2 +1CD Ginastera's Estancia Suite & Harp Concerto (Barrera) under Josep Pons (2003) 2/21/16 Wintery Romantics +1CD Magdalena Kozena's recording of Martinu, Dvorak & Janacek's Love Songs (2000) 2/21/16 Wintery Romantics +1CD Clifford Curzon and Vienna Philh. Quartet for Dvorak and Franck's Piano Quintets 2/11/16 Contrappunti Italiani +1 Bonus File: Vanessa Benelli Mosell for Busoni's Chopin Variatons (2006) 2/6/16 Musique Française #3 +1CD Fischer-Dieskau's historic 1975 recording of Ravel, Poulenc and Fauré's songs 2/6/16 Wintery Romantics +1DDL Sibelius and Goldmark, Violin Concertos by Bell and Salonen (2000) 2/6/16 Wintery Romantics +1DDL Sibelius, Symphony No. 2 by Salonen and the LA Philh. (2007) 2/5/16 Shostakovich #1 +1CD Jansons's recrding of Symphonies Nos. 2 & 12 in Munich (2005) 2/5/16 Shostakovich #1 +2CDs New rips for Jansons's Symphonies Nos. 3 + 14 & 13 on EMI 2/4/16 Ein Bach... +1CD set Goldberg-Variationen in Tessa Uys's rare recording for Claremont (2000) 2/4/16 Intense Bruckner +1DVD Audio Rip: Sinopoli's 4th Symphony in Tokyo with the Philharmonia Orchestra (1988) 2/4/16 Musique Française #2 +1CD Franck & Debussy by Kenneth Weir (+ Rachmaninov's Chopin Variations) (2001) 2/4/16 Debussy #3 +1CD Images and Nocturnes with Dutoit in Montréal (1988) 2/4/16 Debussy #4 +1CD Etudes & Estampes by Véronique Pélisséro (1991) 2/4/16 American Classics +1CD Leroy Anderson's Favourite Orchestral Pieces conducted by Leonard Slatkin (1993) 1/28/16 Recorder music #1 New rips and links 1/27/16 Musique Française #1 +1LP Franck's Piano Quintet and Prélude, Choral et Fugue by J-P. Collard and Muir SQ 1/27/16 Debussy #6 +1LP String Quartet (+ Ravel's), by the Alban Berg Quartett on EMI (1984) 1/27/16 Summer Nights #4 +1LP Roger Woodward's recording of Beethoven's Op. 111 & Op. 57 for RCA (1973) 1/24/16 Opera Favourites #2 +1CD set Levine's Manon Lescaut (Decca, 1993) 1/21/16 Opera Favourites #1 +1CD set Karajan's 1982 recording of Carmen for DGG 1/18/16 Ein Bach... +1CD set Johannes-Passion in Harnoncourt's classic recording for Teldec (1993) 1/17/16 Ein Bach... +1CD set The Cello Suites in Rostropovich's classic 1991 EMI recording 1/16/16 Debussy #2 +1DDL Songs (including Chansons de Bilitis) + Ravel and Chausson by DeGaetani & Kalish (1979) 1/15/16 Musique Française #3 +1CD Ravel's Gaspard de la nuit (+ Elliott Carter's piano works) by Pierre-Laurent Aimard 1/14/16 Shostakovich #2 +1CD set Preludes and Fugues Op. 87 (+Bach from WTC Book 1) selections: Mustonen 1/14/16 Bartok's Voices #5 Additional links for 5CD-box Dorati conducts Bartok (Mercury Living Presence) 1/13/16 Summer Nights #10 +1CD Elgar & Walton's Violin Sonatas by Daniel Hope & Simon Mulligan (2000) 1/12/16 Summer Nights #2 +1CD Reger's Mozart Variations (Salonen) & Romantic Suite (Zagrosek) in Baden-Baden 1/11/16 Summer Nights #5 +5CDs Vivaldi by Onofri & Antonini, Harnoncourt, Hogwood, Petri, Kermes & Marcon 1/8/16 Debussy #5 +1CD Alice Ader's recording of Préludes 1 & Jeux (2002) (previously posted in Feb. 2012) 1/7/16 Opera Favourites #2 +1CD set Puccini's Turandot in Molinari-Pradelli's 1965 recording in Rome 1/7/16 Opera Favourites #2 +1CD set Puccini's Fanciulla del West in Lorin Maazel's 1991 recording in Milan 1/6/16 Debussy #5 +1CD Préludes by Pascal Rogé (2004 recording) 1/5/16 Debussy #4 +1CD set The Piano Music in Daniel Ericourt's rare recording (1962) (a rip by DanseDePuck) 1/5/16 Debussy #5 +1CD set Préludes, Images and Estampes by Claudio Arrau (1981) (a rip by OdeonMusico) 1/5/16 Opera Favourites #2 +2CD sets Puccini: Maazel's Manon Lescaut (1992) & Chailly's La Bohème (1992) 1/5/16 Wintery Romantics +1CD Maazel's Mussorgsky: Pictures and Night in Cleveland for Telarc (1978) 1/3/16 Summer Nights #4 +1CD Beethoven's 9th Symphony by Donald Runnicles in Atlanta (2003) 1/2/16 Strauss Oktoberfest #3 +1CD Vier letzte and Lieder Selection with Soile Isokoski & Marek Janowski (2002) 1/2/16 Strauss Great Operas #2 +1CD set Der Rosenkavalier by Andrew Davis (1995) 12/31/15 Orlando di Lasso: +1CD Moduli Quinis Vocibus, Herreweghe, with extra links (bzzz) 12/29/15 Opera Favourites #2 +1CD Puccini's Suor Angelica by Bartoletti in Rome (1973) (a rip by Juan) 12/23/15 Hindemith +1CD performs his Piano Duet Sonata, 3rd Violin Sonata, Der Schwanendreher (a rip by bzzz) 12/22/15 Debussy #5 +1CD the Préludes by Philippe Bianconi (2012) 12/22/15 Summer Nights #10 +1CD Elgar's Cello Concerto & Enigma Vars. by J. Lloyd Webber & Menuhin (1985) 12/22/15 Ein Bach... +1CD Cantatas BWV 140 & 147 with John E. Gardiner (1990) 12/16/15 Summer Nights #10 +1CD Walton's 2nd Sym., Hindemith Variations and Partita (G. Szell 1959) (a rip by Sasha) 12/16/15 Summer Nights #10 +1CD Carols from Trinity College, Cambridge, conducted by Richard Marlow (1988) 12/16/15 English Baroque Music: New links 12/14/15 Mahler 2 +1CD V. Neumann's recording for Supraphon Fidelio in 1980 12/14/15 Liszt +1CD Gyula Kiss' recording of the 2 Piano Concertos and Totentanz (1976) 12/13/15 O Tuneful Voice (Bronze Series) Added new link with tracks Nos.20-22 repaired using CueTools. 12/13/15 American Classics +1CD Rozsa, Gould and Menotti Orchestral Music by David Amos and the LSO (1990) 12/13/15 Rachmaninov #2 +1CD 2nd Concerto by Cécile Ousset & Simon Rattle (+Grieg's Concerto with Marriner) 12/9/15 Debussy #5 +4CDs Préludes Book 1 (or both) by S.D. Lasry, M. Pollini, O. Maisenberg, Y. Egorov. 12/9/15 Debussy #5 +2CDs Selected Works by M. Lympany and R. O'Hora 12/9/15 Musique Française #1 +1HQ DDL Frank Martin's Mass for Double Choir with Robert Shaw (1994) 12/8/15 Spanish School #2 +1HQ DDL Villa-Lobos' Etudes and Preludes for Guitar with Alvaro Pierri 12/8/15 Spanish School #2 +1HQ DDL S. Isbin with the NYP and J. Serebrier for Rodrigo, Villa-Lobos and Ponce 12/8/15 Spanish School #2 +1CD Falla's Popular Songs by Ann Murray + Ginastera's Estancia (Harth-Bedoya cond.) 12/7/15 Summer Nights #10 +4CDs Holst's The Planets by Yoel Levi, Zubin Mehta, Eugene Ormandy, André Previn. 12/7/15 Debussy #6 +1LP String Quartet (+ Ravel's) by the Quatuor Parrenin on EMI (1970) 12/7/15 Summer Nights #5 +2CDs Handel's Organ Concertos (A. Frigé) and Selected Secular Cantatas (J. Baird) 12/7/15 Composer Alexandre Guilmant: new links 12/5/15 Debussy #4 +1CD box The Piano Music (including a MUST-HAVE recording of the Etudes) by Albert Ferber 12/5/15 Debussy #4 +4CDs The Etudes recordings by Jean-Pierre Armengaud, Monique Haas, Roland Krüger, Ju-Ying Song 12/5/15 Strauss Great Operas #2 +1CD box Edo de Waart's 1976 Der Rosenkavalier in Rotterdam 12/4/15 Summer Nights #10 +3CDs Grainger by Gardiner, Howell's Hymnus paradisi, Elgar by du Pré & Barenboim 12/4/15 Summer Nights #4 +6CDs Beethoven by Rostropovich/Richter, Serkin/Ozawa, Buchbinder, Gieseking, Maazel 12/3/15 Second Viennese School Ess.ls #4 +1LP Schoenberg's Erwartung by Susan Davenny-Wyner (+ Wolpe's Symphony) 12/2/15 Wintery Romantics +1CD Alexander Ardakov's recording of selected Piano works by Glinka, Scriabin, Chopin 12/1/15 Opera Favourites #1 +2CDs Humperdinck's Hansel & Gretel recorded by Donald Runnicles in Munich (1994) 12/1/15 Musique Française #3 +1CD Ravel's Gaspard and Tombeau in Charles Rosen 1959 recording for Epic 12/1/15 Darmstadt #3 +1CD Charles Rosen recording of Boulez 1st Sonata and excerpts from 3rd Sonata (1972) 11/27/15 Summer Nights #9 +1CD Brahms' Deutsches Requiem/Levine (a rip by Juan) + Selected Lieder from original LP 11/24/15 Musique Française #2 +1LP Ravel' for 2 Pianos and Piano Duet with Maria Tipo & Alessandro Specchi (1979) 11/24/15 Prokofiev #2 +1LP Tedd Joselson's rare recording of Sonatas Nos. 2 & 8 (RCA, 1976) 11/23/15 The Odd Couple +3CDs Mozart's Violin Concertos (Kavakos & Camerata S.) + "Gran Partita" by I Fiati di Parma 11/23/15 The Odd Couple +2CDs Mozart's K. 467& 595 (R. Serkin/Abbado) + 488 & 537 (F. Gulda/Harnoncourt) 11/20/15 Summer Nights #6 +1CD Rameau's Grands motets in Hervé Niquet's 1992 recording 11/18/15 Schoenberg Piano Music +1LP the rare 1970 J. von Vintschger recording for Turnabout Vox 11/18/15 Debussy #5 +1CD Debussy, Ravel, Stravinsky for Piano Duet with Moneta & Rota Piano Duo (1990) 11/18/15 Debussy #5 +1CD Debussy & Ravel's Music for 2 Pianos and Piano Duet by Collard & Béroff (1982) 11/18/15 Debussy #6 +2CDs Debussy & Ravel's chamber works and Songs with chamber ensemble by the Nash Ens. 11/18/15 Debussy #3 +8CDs Orchestral works with Boulez, Lombard, Salonen, Volkov, Krivine, Rattle, F. de Burgos 11/17/15 Summer Nights #5 +1CD Couperin's Livre de Clavecin (6th, 8th, 18th Ordres) by Angela Hewitt (2002) 11/17/15 Ein Bach... +3CDs Tureck in St. Petersburg + Anderszewski Partitas 1,3,6 + Baroque music for Oboe and Organ 11/15/15 Summer Nights #7 +2CDs Brahms' Piano Concertos by M. Tirimo and the LPO (K. Sanderling & Y. Levi) 11/15/15 Strauss Oktoberfest #2 +1CD Zarathustra (Skrowaczewski) + Symphonia Domestica (Seaman) (NYO of GB) 11/12/15 Summer Nights #8 +1CD Brahms's Serenades in Haitink's classic Philips recording (1981) 11/12/15 Stravinsky #2 +1CD Gatti's 2011 recording with the ONF: Sacre and Petrushka 11/12/15 Stravinsky #2 +1CD Chamber Orchestra Works by the Endymion Ensemble under J. Whitfield (1987). Rare. 11/12/15 Stravinsky #2 +1CD Boulez's 1975 classic Firebird recording with the New York Philharmonic 11/12/15 Stravinsky #2 +2CD Sacre, Firebird, Petrushka & Pulcinella by Yakov Kreizberg and the Monte-Carlo Philh. 11/12/15 Stravinsky #2 +1CD Rattle and the National Youth Orchestra of GB (Sacre) + Dorati and the RPO (Firebird) 11/11/15 Prokofiev #2 +1CD Peter & the Wolf by M. Harth-Bedoya in Fort Worth + Saint-Saens' Carnaval des animaux 11/10/15 Locatelli - Complete Flute Sonatas: New links 11/10/15 Wintery Romantics +1CD Dvorak's Cello Concerto & Tchaikovsky's Rococo with Rostropovich & Karajan 11/10/15 Mahler Lieder +1CD Y. Minton and P. Boulez for Rückert Lieder + Wagner's Wesendonck (1979) 11/10/15 Hindemith +1CD Quartet with Clarinet and Piano with E.Brunner etc. (1999) (a rip by bzzz) 11/10/15 Summer Nights #7 +2LPs Brahms' Ballades Op. 10 by E. Gilels and by W. Kempff 11/9/15 Schumann +1LP Mehta's recording of the 3rd Symphony with the Vienna Philharmonic (Decca 1983) 11/9/15 Summer Nights #8 +1LP Mehta's Brahms's 1st Symphony with the Vienna Philharmonic (a transfer by Enrico B) 11/9/15 Rachmaninov #2 +1CD Leon McCawley's recording of the 3rd Concerto with Charles Groves conducting (1990) 11/9/15 Intense Bruckner +1CD Muti's 4th with the Berlin Philharmonic (1985) 11/9/15 Second Viennese School Ess.ls #1 +1 Bonus: Schoenberg's Phantasy Op. 47 by Irvine Arditti & Noriko Kawai 11/8/15 Poulenc +1LP & 1CD L'Histoire de Babar, with R. Gérôme & J. Février and with J. Moreau & J-M. Luisada 11/8/15 Second Viennese School Ess.ls #3 + 1LP Schoenberg's Chamber Works by de Leeuw (1986) 11/7/15 Second Viennese School Ess.ls #3 +1Double LP: Schoenberg's Complete Chamber Choir Works by de Leeuw 11/6/15 Second Viennese School Ess.ls #6 +1CD Dorow & de Leeuw: Webern's complete Soprano and Chamber Orchestra 11/6/15 Second Viennese School Ess.ls #6 +1LP Dorow & de Leeuw for Webern, Dallapiccola, Schoenberg & Stravinsky 11/4/15 Sgorby Rips #1 +1CD Sammartini's Quintetti e Quartetti by Ensemble Aglàia (2007) (a rip by Davide) 10/29/15 Dutch Organists #Part2: New links 10/27/15 Essential American Classics +1LP Wolpe, Lieberson, Stravinsky: piano works Peter Serkin (1985) 10/27/15 Second Viennese School Ess.ls #3 +1LP Serenade Op. 24, Boulez's classic recording of 1963 for Wergo. 10/27/15 Schoenberg Piano Music +1CD Paul Jacobs' legendary Nonesuch recording (1975) (a rip by BZ) 10/27/15 Mendelssohn Chamber Music: New links 10/25/15 Mendelssohn New links 10/24/15 Hindemith +1CD 4 Violin Sonatas with Oleg Kagan & Sviatoslav Richter (1978) (a rip by bzzz) 10/23/15 Glories of the Italian Piano School +1CD Domenico Nordio & Giorgia Tomassi (Beethoven & Pärt) 10/23/15 Glories of the Italian Piano School +1CD Geza Hosszu-Legocki & Giorgia Tomassi (Franck & Beethoven) 10/23/15 Glories of the Italian Piano School +1CD Giorgia Tomassi's unreleased recording of Chopin's Préludes (1997) 10/23/15 Rachmaninov #2 +1CD Glemser's recording of 2nd and 3rd Concertos under Wit (1996) (a rip by Lupo2004) 10/22/15 Summer Nights #7 +1CD Brahms's Violin Sonatas by Cristopher White and Melanie Reinhard (1999) 10/21/15 Rare Grooves #1 +3LPs Böhm's Eroica; Argerich's Bach and Muti's Verdi (4 Pezzi Sacri) 10/21/15 Dutch Organists #1 New links 10/20/15 Rare Grooves #2 +1LP Debussy Images, Faune and La mer by Paul Paray and the Detroit SO (1957) 10/19/15 Glories of the Italian Piano School +1CD Ciani & Gavazzeni for Mozart's K. 466 & K. 491 (1970/1973) 10/19/15 Rachmaninov #2 +1CD Noriko Ogawa's recording of 2nd and 3rd Concertos in Malmö under Hughes (1997) 10/16/15 Darmstadt #5 +3LPs Xenakis's Choral and Orchestral works with Constant and Tabachnik (a rip by Sotise) 10/16/15 Darmstadt #5 +1LP Rare album with Levinas's Orchestral Works ripped by friend Sotise (Adès MFA 1985) 10/15/15 American Classics +1CD Bernstein's Dybbuk (Complete Ballet), first recording (1974) 10/15/15 Wintery Romantics +1CD: Rimsky-Korsakov's Scheherazade by John Mauceri and the LSO (1987) 10/1/15 Glories of the Italian Piano School +1DDL: Tomassi with Accardo for Beethoven's 'Kreutzer' & 'Spring' (2004) 10/1/15 Glories of the Italian Piano School + 1 Bonus: Dino Ciani plays Brahms's 1st Piano Concerto (Turin, 1969) 10/1/15 Messiaen +1LP: Paul Jacobs' rare recording of the Quatre études de rythme + Busoni, Stravinsky, Bartók (1976) 9/29/15 Strauss Great Operas #2 +2CD sets: Der Rosenkavalier. Karajan's (1956) and Bernstein's (1971) recordings 9/29/15 Strauss Great Operas #2 +1CD set: Die ägyptische Helena conducted by Gérard Korsten in Cagliari (2001) 9/27/15 Rare Grooves #2 +1LP Rimsky-Korsakov's Russian Easter etc. with Ernest Ansermet (1958) (a rip by Enrico B) 9/26/15 Mahler 3 +1CD set: V. Neumann's great Prague early digital recording for Supraphon (1981) 9/26/15 Mahler Lieder +1CD Christianne Stotijn's Rückert and Selected Lieder + Brahms Alto Rhapsody (2006) 9/25/15 Second Viennese School Ess'ls #2 +1CD Berg's Kammerkonzert by the Baton Rouge Chamber Players 9/25/15 Messiaen +1CD Cinq rechant by the BBC Singers/S. Cleobury (+ Choral works by Villette, Poulenc, Caplet) 9/25/15 In the Name of Music +1CD Mendelssohn's 2nd Symphony ('Lobgesang') by Richard Hickox (2002) 9/24/15 Mahler Das Lied von der Erde +1CD, Donald Runnicles (2008) 9/24/15 Strauss Oktoberfest #2 +2CDs The Piano Music by Stefan Vladar & The Piano Trios by Odeon Trio 9/24/15 Strauss Oktoberfest #3 +2CDs Alpensinfonie: Masur & ONF (2007) and M. Jansons & BBC Welsh (1991) 9/22/15 Schoenberg Piano Music +2CDs Roland Pöntinen's & Madalena Soveral's fabulous complete recordings 9/22/15 Schoenberg Piano Music +1CD, Claude Helffer's classic recording for HM (1969) (a rip by John F) 9/22/15 Schoenberg Operas +1CD set, Georg Solti's reference recording of Moses und Aron in Chicago 1985 for Decca 9/21/15 Messiaen +1CD, Cinq Rechants + Stockhausen's Choruses for Doris and Xenakis choral works (Chandos, 1998)9/21/15 Messiaen +1DDL, Fête Des Belles Eaux by the Sextet of Ondes Martenot of Montréal (ATMA 2008) 9/18/15 Summer Nights #1 +1 Bonus: Martinu, Krasa and Schulhoff conducted by Christopher Hogwood (Milan, 2003) 9/18/15 Hindemith +1Bonus: Hindemith in Italy, conducting his music plus Brahms's, Webern's and Blacher's at RAI 9/18/15 Hindemith +1CD Violist A. Tamestit & P. Järvi beautiful CD (also including pianist M. Hadulla) (2012) 9/18/15 Summer Nights #10 +1CD set, Lloyd Webber's rock opera masterpiece Jesus Christ Superstar (London cast 1996) 9/18/15 Weill +1CD Dessau's Symphony No. 2, In memoriam Brecht, Les voix etc. by Roger Epple on Capriccio (2009) 9/18/15 Rare Grooves +1LP Liszt & Wagner Preludes with Mehta & the WP (1967) (a stunning LP transfer by Enrico B) 9/17/15 Prokofiev #2 +1CD Boris Giltburg's recording of the War Sonatas (6th, 7th and 8th) (2012) 9/16/15 Poulenc +1CD Chamber Music with Woodwinds and Piano Duet Sonata by the Ensemble Petra (1999) 9/16/15 Darmstadt #2 +1CD Carter's Sonata (+ Bartók's and Dutilleux's) by Claire-Marie Le Guay on Accord (2000) 9/15/15 Darmstadt #2 +2CDs Including a new rip of Maderna's Oboe Concertos by Holliger & Bertini (1993) 9/14/15 Darmstadt #2 +2 Bonus: Donatoni's Le ruisseau (Brunello); Maderna Grande Aulodia + Nono's A Carlo Scarpa 9/14/15 American Classics +2CDs Herrmann & Diamond Chamber M. + Donald Fagen's milestone album The Nightfly 9/14/15 Schumann +1CD: Fischer-Dieskau's reference recording of Dichterliebe, Myrten and Liederk. Op. 39 (1979) 9/14/15 American Classics +1CD: Ives's "Concord" Sonata by Aimard and Songs by Graham on Warner (2004) 9/14/15 Darmstadt #2 +1CD Maderna's 3 Oboe Concertos by Fabian Menzel and Michael Stern on Col Legno (1996) 9/13/15 Darmstadt #4 +1CD Carter's one act opera "What Next?" in Péter Eötvös's première recording for ECM 9/11/15 Debussy #1 +1CD Thierry Fischer's recording of Le martyre de Saint Sébastien (BBC MM, 2011) 9/11/15 Debussy #5 +2CDs Benedetti Michelangeli's historic recordings of the Préludes for DG (1978 & 1988) 9/11/15 Debussy #4 +1CD Charles Rosen's reference (and first ever) recording of the Etudes (1955) 9/11/15 Summer Nights #12 +1LP Grumiaux and Haitink for Bruch 1st Violin Concerto (a transfer by Enrico B) 8/4/15 Schubert on Modern Instruments: new links for Oktett in D, by Cherubini Quartett 8/4/15 Schubert on Modern Instruments: new links for Richard Goode 8/3/15 Rare Grooves#1 +6 LPs mostly Enrico B's outstanding transfers of great out-of-print material 8/2/15 Intense Bruckner +9CDs with classic recordings by Solti, Chailly, Abbado, Wand, Karajan, Harnoncourt 7/25/15 Buxtehude & Pachelbel Organ Works - New links 7/18/15 Darmstadt #3 +1CD Pollini's classic DGG recording of Boulez's 2nd Piano Sonata (1978) 7/17/15 American Classics +1CD (NEW RIP) Lieberson's Neruda Songs with Hunt Lieberson & Levine (BSO) 7/16/15 Tristan und Isolde +1CD box, Georg Solti's classic recording (1960) (a rip by Cecco) 7/16/15 Selig im Glauben (Parsifal) +1CD box, Georg Solti's classic recording (1972) (a rip by Cecco) 7/15/15 Strauss Operas #1 +1CD box, Leinsdorf recording with Caballé, Milnes and the LSO (1968) (a rip by Cecco) 7/14/15 Die Meistersinger +2CD box, Solti 1975 Vienna (a rip by Cecco) and Kempe 1957 Berlin (a rip by A. Zaccaria) 7/13/15 Tristan und Isolde +1CD box, Fritz Reiner's historical London recording (1936) (a rip by Andrea Zaccaria) 7/2/15 Second Viennese School Ess'ls #2 +2DT Berg's Violin Concerto by Carmignola/Inbal & Kavakos/Harding 7/2/15 Second Viennese School Ess'ls #2 +1CD Berg's Violin Concerto's & Kammerkonzert, I. Stern (Bernstein/Abbado) 6/30/15 Darmstadt #3 +1CD Boulez's Piano Sonatas and 12 Notations by Pi-Hsien Chen (2004) 6/30/15 Summer Nights #7 +1DT: J. du Pré with R. Goode and T. Schippers, Brahms & Mendelssohn (live in Spoleto) 6/30/15 Bartok #4 +1CD Violin Concertos by Midori & Mehta (1990) previously only on LP rip (courtesy of Cecco) 6/30/15 Bartok #5 +1CD Concerto for Orchestra & 4 Pieces by Leon Botstein and the London Philharmonic (2000) 6/29/15 Summer Nights #9 +2CDs (incomplete) Franck Symphonie with the Berlin Philh. (Mehta 1995 & Giulini 1986) 6/16/15 German Baroque New link: Fischer Musica Sacra 6/6/15 Bruckner +1CD Ozawa's 7th with the Saito Kinen Orchestra (2004) (Courtesy of Cecco) 5/27/15 Summer Nights #8 +2CD Mehta and the IPO, Brahms' 1st Symphony and Mozart Sinfonia Concertante K.364 5/27/15 Musique Française #2 +1CD Milhaud Piano Concertos + Carnaval d'Aix by C. Helffer and D. Robertson (1992) 5/27/15 Rachmaninov #2 +1CD 3rd Concerto by Jorge Luis Prats and Enrique Bátiz (1989) 5/27/15 Summer Nights #10 +1CD Howell's Music for String & Orchestra, by Richard Hickox (1992) 5/27/15 Wintery Romantics +1LP Tchaikovsky's 2nd Piano Concerto by Magaloff and C. Davis (a rip by Enrico B.) 5/22/15 Second Viennese School Ess'ls #9 +1CD Chamber Concerto by J-F. Heisser (a rip by Ranapipiens) 5/19/15 Hindemith +1CD Trumpet Sonata by Ole E. Antonsen & Wolfgang Sawallisch (EMI, 1996) 5/19/15 Prokofiev #1 +1CD "Romeo & Juliet" excerpts with Kurt Masur and the Gewandhaus Orchestra (1987) 5/19/15 Summer Nights #5 +1CD Wagner Opera Scenes with W. Meier and L. Maazel (1997) 5/19/15 Strauss #1 +1CD Horn Concertos with B. Tuckwell & V.Ashkenazy and the RPO on Decca (1990) 5/19/15 Wintery Romantics +1CD Tchaikovsky, Dukas, Enescu, Mussorgsky showpieces, E. Mata & the Dallas SO (1988) 5/14/15 Schumann +1CD Piano Concerto by R. Serkin/Ormandy 1965, and same from an outstanding LP rip by Enrico B. 5/14/15 Strauss #3 +1CD Zarathustra and Don Juan with Alan Gilbert and the NYP 5/14/15 Musique Française #1 +2CDs completing Eschenbach's Roussel Symphony cycle in Paris on Ondine 5/5/15 Strauss #2 +2CDs A Cappella Choral Works (Danish Radio Choir 1993) & Alpensinfonie by Michalakis (2000) 5/5/15 Contrappunti italiani +1CD Busoni's Piano Concerto with Peter Donohoe & Mark Elder (1988 on EMI) 5/5/15 Second Viennese School Ess'ls #1 +1CD Verklärte Nacht + Metamorphosen & Siegfried-Idyll by Levine (1991) 5/5/15 Debussy #5 +1CD Images I, II & Oubliées + Estampes & Berceuse Heroique by Fou Ts'Ong (1990) 5/5/15 Schumann +1CD String Quartets Op. 41 with the Eroica Quartet (2001) (a rip by Der Wanderer) 5/4/15 Webern +1LP Chamber Music with P.Serkin and the Tashi Ensemble (1983), + Takemitsu's Piano Works 5/4/15 Rare Grooves #2 +1LP: Vivaldi Concertos with Ayo and I Musici (1968) (a rip by Enrico B.) 5/4/15 Prokofiev +1LP Violin Concerto No. 2 (+ Sibelius'): Szeryng & Rozhdestvensky 1965 (a rip by Enrico B.) 5/4/15 Bruckner +1DVD: Sinopoli's 4th with the Philharmonia Orchestra in Tokyo 1988 (NHK Classical DVD) 4/29/15 Telemann +1CD Collegium Musicum '90 - Hickox - Donner Ode 4/17/15 Haydn - Complete Baryton Trios - Esterhazy Ensemble Added working link for dsic 16 and cover image for disc 13 4/17/15 Summer Nights #10 +3CDs Elgar Symphonies (C. Davis 2001), 3rd (P. Daniel) & Serenade (Orpheus CO) 4/16/15 Baroque Music in the Netherlands: New links (Koopman, Huggett, Hazelzet, Mathot, vdMeer) 4/16/15 Summer Nights #4 +1CD Mozart's Divertimenti and Serenata notturna with I Musici (a rip by Enrico B.) 4/16/15 Willem de Fesch: New links 4/15/15 Stravinsky #2: +1LP Symphony in C, Symphonies for Wind, 4 Etudes, Suites (Ansermet. A rip by Enrico B.) 4/15/15 Schubert New links Paul Badura-Skoda, playing Sonata D960 & Klavierstücke 4/15/15 Summer Nights #10 +2CDs Walton's Belshazzar's Feast (Terfel & Litton) and the Symphonies (Ashkenazy) 4/15/15 Summer Nights #10 +1CD Holst's The Planets (Y. P. Tortelier in Manchester) 4/13/15 Sibelius +1CD The NZSO & Inkinen: Scènes historiques and King Christian Suite 4/11/15 Entartete Lieder +1CD Dagmar Krause - Supply & Demand 4/11/15 Schubert: +1CD Quintet in C, by the Arcanto Quartett 4/9/15 Liszt +1CD Symphonic Poems (including Les Préludes) with Zubin Mehta and the Berlin Philh. (1994) 4/9/15 American Classics: 1CD Gershwin Porgy & Bess highlights, American in Paris, Cuban Ov. by Mehta & the NYP 4/9/15 Summer Nights #2: +1CD: Rezniček and Korngold's 1st String Quartets by the F. Schubert Quartett of Vienna 4/9/15 Schubert Essentials #1: +2CDs Works for Piano Duet by Anne Queffélec & Imogen Cooper (Erato, 1978) 4/9/15 Debussy #4: +4CDs The Complete Piano Music by Paul Crossley with one of the finest accounts of the Etudes 4/8/15 Musique Française #1: +1LP Frank Martin's Der Cornet (Rilke), Lipovšek & Zagrosek (1984) 4/8/15 Rare Grooves +1LP Grofé's Grand Canyon and Alfvén's Swedish Rhapsody by Ormandy in Philly (CBS, 1958) 4/8/15 Rare Grooves #2 +1LP Vivaldi, Capuzzi & Paisiello: Concertos with I Musici (Philips 1964. A rip by Enrico B.) 4/7/15 Rare Grooves #2 +1LP: Goldmark's Rustic Wedding Symphony by Jesús López-Cobos (1981) 4/7/15 Rare Grooves #2 +2 LPs: Mendelssohn 3rd (A. Davis), Schoenberg's Verklärte Nacht & Suite in G (Scimone) 4/7/15 Summer Nights #3: +1CD Mendelssohn's 3rd ("Scottish") Symphony + Beethoven's 1st by Osmo Vänskä 4/7/15 Summer Nights #4: +1CD Mozart's 'Jeunhomme' Piano Concerto with McCawley and Leaper (1996) 4/7/15 Wintery Romantics: +1CD Silvestrov's 5th Symphony and Postludium with Lubimov and Roberston (Sony, 1995) 4/7/15 Summer Nights #1: +1CD Glière's 'Ilya Muromets' Symphony by Edward Downes in Manchester (1991) 4/7/15 Summer Nights #1: +1CD Borodin's 3 Symphonies by José Serebrier in Rome (1989) 4/7/15 Second Viennese School Essentials #7: +2CDs Schoenberg's Moses und Aron by Sylvain Cambreling (2012) 4/7/15 Wintery Romantics: +1CD Tchaikovsky Suites (Nutcracker & Swan Lake), Mehta & the Israel Philh. (Decca, 1979) 4/7/15 Summer Nights #7: +1CD Brahms Hungarian Dances, 5 Studies and 2 Rhapsodies by Louis D. Alvanis (1994) 4/7/15 Ein Bach...: +1LP: Daniel Varsano's recording of the Goldberg Variations (CBS, 1980) 4/7/15 Debussy #2 +1LP: Mélodies (including Baudelaire & Mallarmé sets) by Hugues Cuenod (1979) 4/7/15 Musique Française #2 +2CDs Wagschal for Fauré's Nocturnes (2009) + Satie by Ciccolini (and Tacchino) (1986) 4/7/15 Easter Passion Music: New links 3/22/15 German Baroque chamber Music New links in the comments 3/21/15 London Baroque - Trio Sonatas: new links in the comments 3/21/15 Vivaldi - Musica ad Rhenum : new link in the comments 3/19/15 Shostakovich #1 +1CD Bernstein's 5th (NYP, Tokyo 1979) & Cello Concerto with Ma & Ormandy in Philly 1982 3/19/15 Mahler 1 +1CD Solti's recording with the LSO (Decca, 1964), a new rip by Sgorby 3/19/15 Darmstadt #3: +1CD rip by Sgorby of already posted Ligeti by Cerha (Wergo) 1971 (previously on LP rip) 3/16/15 Debussy #4 The Complete Solo Piano Music by Aldo Ciccolini on EMI (1991) (a rip by Sgorby) 3/16/15 Strauss #3 +2CDs 4 last Songs Schwarzkopf & Szell (1966) and Harper & Del Mar (1981) 3/15/15 Strauss #3 +1CD Ein Heldenleben by Haitink and the CSO (2009) 3/15/15 Stravinsky #2 +1CD The Firebird (complete) & Chant du rossignol by Kitajenko and the Danish Radio SO 1991 3/14/15 Summer Nights #1 +1CD Respighi's Belfagor, Belkis and Church Windows (Ashkenazy, Netherlands Radio Philh.) 3/14/15 Shostakovich #1 +1CD Hypothetically Murdered Suite + Pushkin Romances (Kharitonov & Elder) 1992 3/14/15 Shostakovich #2 +1CD 1st Violin Concerto (+ Glazunov Violin C.to) with Perlman & Mehta on EMI 1988 3/12/15 Prokofiev #1 +1CD Li & Ozawa's for the 2nd Piano Concerto (+ Ravel's G Major Concerto) (DGG, 2007) 3/12/15 Mahler 8 +2CDs Leif Segerstam's recording in Copenhagen for Chandos (1994) + 10th Adagio 3/12/15 Summer Nights #8 +1CD Andrew Davis recording of Brahms's 4th + the Zigeunerlieder (BBC 1996) 3/12/15 Musique Française #1 +3CDs: Boulanger's Faust et Hélène; Franck by Firkušný & Flor; Debussy & Takemitsu 3/12/15 Debussy #4 +1CD Livia Rev's recording of the Etudes (+ Suite Bergamasque, D'un cahier, Berceuse) (Saga 1980) 3/5/15 Mahler 5 +2CDs Frank Shipway and the RPO (1996) (Symphony + No. 1 by Yuri Simonov) 3/5/15 Spanish School #3 +2CDs Ginastera by Santiago Rodriguez (1984) & Mompou by Ester Pineda (1992) 3/4/15 Bartok #4 +1LP 2nd Piano Concerto and 4 Pieces for Orchestra, Weissenberg and Ormandy (1970) 3/3/15 Musique Française #2 +1CD Debussy for Piano Duet & 2 Pianos by Pascal & Ami Rogé (2011) 3/3/15 Gershwin +1CD Rhapsody in Blue (Daniel Adni in Bournemouth), Addinsell's Warsaw C.to & Rózsa's Spellbound 3/3/15 Wintery Romantics +1CD Nielsen's 2nd Symphony (A. Davis) and Sibelius's 5th (Bamert) with the BBC SO 3/3/15 Prokofiev #1 +1CD Salonen and the Berlin Philharmonic: Romeo & Juliet (Excerpts) (CBS 1986) 3/1/15 Spanish School #3 +2CDs Albeniz & Granados selection by J.M. Pinzolas + "My Piazzolla" by Cecilia Pillado 3/1/15 Debussy #1 +1CD Jeux (Eötvös), Prélude (Robertson), Satie's Parade (Porcelijn), Roussel's BeA's 2nd Suite (Weller) 2/28/15 Debussy #4 +3CDs: Anne Queffélec's 12 Etudes, Ravel's Concertos & Miroirs, Fauré's Violin Sonatas (with P. Amoyal) 2/28/15 American Classics +2CDs: Copland The Populist by Tilson Thomas & MacDowell Symphonic Poems by Krueger 2/28/15 Debussy #2 +1CD Claudette Leblanc's album of Mélodies (with Valerie Tryon) (1989) 2/28/15 Summer Nights #5 +1CD Mackerras' recording of Berlioz Symphonie fantastique (with the RPO, 1994) 2/28/15 Summer Nights #4 +1CD Mackerras' recording of Beethoven 9th for EMI (Liverpool 1991) 2/27/15 Des Horizons #2 +1LP Debussy's Chansons de Bilitis & Satie's Socrate cond. by Friedrich Cerha (1969) 2/27/15 Des Horizons #2 +1CD Debussy and Ravel Music for 2 Pianos, by Pascal & Ami Rogé 2/27/15 Debussy #4 (Etudes) +1DDL: Nelson Goerner's recording of Etudes Livre II, plus Images Livre I & Estampes 2/27/15 Des Horizons #1 +1LP, Munch's last recordings in Paris, Ravel Concerto in G (w. Henriot-Schweitzer) & Honegger 2/26/15 Wintery Romantics +1LP: Maazel early recording of Tchaikovsky's 4th Symphony in Vienna for Decca (1965) 2/26/15 Des Horizons #1 +1CD Canteloube's complete Chants d'Auvergne by von Stade and De Almeida (CBS 1985) 2/26/15 Strauss Operas #2 +1CD set: Die Frau ohne Schatten, the complete Sawallisch recording for EMI (1987) 2/22/15 Des horizons de la musique française #2 +1CD Chabrier's Piano Music by Hewitt (2004) (a rip by Alan) 2/22/15 Rachmaninov #1 +1CD 2nd Symphony by Farberman & the RPO (1978) (a rip by Sgorby) 2/22/15 Summer Nights #9 +1CD Respighi Antiche Danze e Arie per Liuto by Ozawa (DGG 1979) (a rip by Sgorby) 2/22/15 Wintery Romantics +1CD Tchaikovsky's Nutcracker by Gergiev (Philips 1998) (a rip by Alan) 2/21/15 Wintery Romantics +6CDs Tchaikovsky Complete Symphonies: Temirkanov and the RPO (BMG) (a rip by Sgorby) 2/21/15 Wintery Romantics +2CDs Tchaikovsky Swan Lake (Complete) with Sawallisch (EMI 1994) 2/13/15 The World of Debussy #5 +1LP Rip, Teddy Teirup plays "La boîte a joujoux" (+ Ravel's Sonatine) 2/10/15 Bohemian Composers of the 17th Century New links added 2/7/15 Music from the Renaissance #2 New links added 2/3/15 Shostakovich #2 +1CD Cello Concerto No. 1 by Amit Peled 2/3/15 Summer Nights #5 +1CD Cello works by H. Eccles, Couperin, Fauré & Ligeti (Amit Peled with Eliza Ching) 2/3/15 Summer Nights #10 +1CD Elgar's Cello Concerto by Amit Peled 2/02/15 Keyboard Music on Harpsichord New links completed 1/30/15 Brahms's Concertos +1CD Violin Concerto & Sonata No. 2 by Vengerov & Barenboim (1998) 1/30/15 Second Viennese School Essentials #4 +1CD Karl Weigl's String Quartets Nos. 1 & 5 by the Artis Quartett Wien 1/30/15 Schoenberg: Piano Music +1CD Pi-Hsien Chen's reference recording of the complete set (1996) 1/30/15 Des Horizons #1 +1CD d'Indy's Symphonie sur un chant montagnard with Marek Janowski 1/30/15 American Classics +2CDs Thomas Hampson's Songs by Ives, Griffes, MacDowell & Glass Syms 2 & 3 by M. Alsop 1/30/15 Brahms Piano & Chamber Music Gems +1CD Andrea Bonatta's recording of 8 Klavierstücke, Paganini, Rhapsodies 1/29/15 Keyboard Music on harpsichord Added new links 1/28/15 HIF Biber and comtemporaries Added new links 1/12/15 Wintery Romantics +9CDs & 1DDL: Tchaikovsky's Ballets and Symphonies - Courtesy of Sasha 1/7/15 De l'Hoyer- Music for Two Guitars + Added new links 1/1/15 Just: Piano Trios Op. 2 & Op. 13 +1CD: Just Op. 2; Added new links for Op 13 2014 12/19/14 Mozart in Mannheim: Sacred Music by Holzbauer & Mozart Added new links 12/19/14 Schubert - Works for Fortepiano - Jan Vermeulen Added new links (BZ's Rip) 12/5/14 Summer Nights #9 +1CD Scriabin Symphony No. 3 & Poème de l'extase (Sinopoli, NYP 1989) 12/5/14 Summer Nights #9 +5CDs: Mendelssohn Piano Concertos (and 2 Pianos + Bruch), Symphonies 3 & 4, Quartet No. 5 12/2/14 L'Armonica- Music for Glass Harmonica Added new links 11/26/14 Summer Nights #5 +1CD: Tilson Thomas (and Fleming) for Villa-Lobos (RCA, 1996) 11/26/14 Italian Flute Concertos Added new download links. 11/26/14 Summer Nights #6 +4CDs: Muti for Pergolesi's Stabat Mater and Rota's Film Music; Herreweghe for Rameau's Les Indes galantes and Rossini's Stabat Mater in Giulini's 1982 recording on DGG 11/26/14 Summer Nights #3 +1CD Paganini's 1st Violin Concerto by Chang and Sawallisch in Philadelphia (1994) 11/26/14 Summer Nights #4 +3CDs Beethoven's Late String Quartets by the Takács Quartet (2003) 11/22/14 Christopher Hogwood & The Academy of Ancient Music - Mozart Concertos (Clarinet, Oboe, Flute & Harp, Bassoon) New rip and download links 11/21/14 American Classics +7CDs: Nagano's Bernstein Mass, Barber and Ives Songs sets (Studer/Hampson; DeGaetani) 11/21/14 American Classics +5CDs for the great Jazz avant-garde of the late 50s: Tatum, Davis, Evans, Monk, Brubeck 11/21/14 American Classics +6 LPs Bernstein & Copland originals + Bolcom's 3 Ghost Rags' signature rec. by Paul Jacobs 11/20/14 Prokofiev #2: +1LP Cello Sonata (+ Strauss' Cello Sonata) with Frédéric Lodéon and Daria Hovora 1975 on RCA 11/20/14 Prokofiev #2: +1LP Cinderella Suite, Leonard Slatkin/Saint Louis Symphony 1985 on RCA 11/20/14 Prokofiev #2: +1LP Romeo & Juliet Suites, Riccardo Muti/Philadelphia 1981 on EMI 11/18/14 Strauss Great Operas #2: +2CDs Daphne (Fleming, Botha, Larsson, Schade, K. Youn, WDR, Bychkov on Decca) 11/18/14 Strauss Great Operas #1: +2CDs Elektra (Polaski, Schwanewilms, Palmer, Grundheber, WDR, Bychkov on Profil) 11/11/14 Bach: St John's Passion (arr. Robert Schumann) Added new download links. 11/11/14 Druschetzky: Quartetto, Serenata, Quintetto Added new download link. 11/11/14 Music by: Bruni, Cambini, Ferrer & Terzetti Added new download links. 11/05/14 18th Century Women Composers: Music for the Solo Harpsichord, Vol. 1 Added new download link. 11/05/14 18th Century Women Composers: Music for the Solo Harpsichord, Vol. 2 Added new download link. 10/29/14 American Classics +1HQDDL Adams' The Dharma at Big Sur (Josefowicz/Adams) + Kraft's Timpani Concerto 10/27/14 Prokofiev #2 +2CDs 'October Cantata' (Elder '96) and 2nd Violin Sonata + Webern + Respighi (Mutter/Orkis '00) 10/18/14 Carl Friedrich Abel: Ouvertures & Sinfonias Added new links 10/15/14 Gershwin +1CD Weissenberg and Ozawa: Rhapsody in Blue, 'I Got Rhythm' Variations (1983) 10/15/14 Summer Nights #10 +1CD Elgar's 1st Symphony + P&C Marches 1,3,4 by Andrew Davis and BBC SO 10/15/14 Summer Nights #1 +1CD Khachaturian's Piano Concerto & Prokofiev's 3rd: Dickran Atamian & Gerard Schwarz 10/15/14 Summer Nights #6 +1CD Honegger's 2nd Symphony + Strauss' Metamorphosen by Gerard Schwarz 10/15/14 Summer Nights #4 +1CD Beethoven's 9th Symphony by Enrique Bátiz 10/14/14 Summer Nights #9 +1CD Mendelssohn's 2nd Symphony ('Lobgesang') by Andrew Litton (Thanks to Nzguy) 10/10/14 After Baroque: Music for the Natural Trumpet Added new links 9/29/14 Summer Nights #9 +1CD Brahms's 4 Serious Songs: Kurt Moll & Cord Garben 9/27/14 Summer Nights #9 +3CDs Brahms Requiem (G. Albrecht), Grieg/Sibelius Quartets (Emerson) & Sibelius Syms 3&7 9/27/14 Summer Nights #10 +3CDs Elgar Violin Concerto (Hahn/C. Davis), Delius Partsongs, Terfel's "The Vagabond" 9/22/14 Weber: Operatic Works on Period Instruments Added link for Weber's Oberon & Abu Hassan 9/16/14 Gallay & Reicha: Trios & Quartet for Horn Added link for new rear inlay with side panels. 9/11/14 Jommelli: Armida abbandonata (1770) Added new links 9/11/14 Summer Nights #5 +1CD Handel Suites for Keyboard: Keith Jarrett (Piano) 9/11/14 Rachmaninov #2 +1CD Concertos Nos. 1 & 2: Zimerman & Ozawa with the BSO 9/10/14 Poulenc Tribute +1CD Les Animaux modèles & Sinfonietta, Darlington and the Luxembourg Philh. 9/10/14 Summer Nights #8 +11 original CDs of Brahms Symphonies by C. Davis, Sawallisch, Giulini, Dohnanyi and Chailly 9/2/14 Mozart: The Nannerl's Notebook Added new links 9/2/14 Summer Nights #5 Berlioz Nuits d'Eté, Norman & C. Davis (1979) 9/1/14 Lessel: Fortepiano Concertos Added new links + Bonus Disc 9/1/14 La Chasse: Mozart, Vogler, Haydn, Endler Added new links 9/1/14 Alla Turca: Music by Mozart, Gluck & M. Haydn Added new links 8/11/14 String Quartets by Vanhal, Wranitzky & Jadin Added new links (Old links were missing tracks, cue, logs etc) 7/23/14 Handel: Tolomeo Added new links 7/20/14 Mozart: Piano Quartets Added new links 7/19/14 Wagner: Der fliegende Holländer (Paris version, 1841) Added new links 7/14/14 Webern Lieder with Piano (compl.): Barainsky, Doufexis, Hesse and Geçer (1994) 7/12/14 Mozart: Piano Concertos Hogwood/ Levin/ AAM New link for Concertos 1-4 7/4/14 Orfeo Ed Euridice: Kuijken-Bernius-Minkowski-Gardiner-Haenchen New link for Haenchen by Saoshya 7/3/14 Debussy #1 +1CD Le Martyre de Saint Sébastien by Daniele Gatti with Isabelle Huppert as récitant 7/2/14 Gluck Megapost (Happy 300th Birthday!) New links for Echo et Narcisse added courtesy of Saoshya 7/2/14 Beethoven: Quintet Arrangements (Symphonies-Overtures-Chamber Music) Added a new EAC rip of the Beethoven Symphony No.3 to replace the digital download. Includes full scans of booklet. Very rare! 7/1/14 Boccherini: Quintets opus 56 and opus 57 New links added courtesy of Saoshya 7/1/14 Strauss #3 +1CD Ein Heldenleben by Günther Herbig (1985) and Tod und Verklärung by John Pritchard (1980) 7/1/14 Des horizons #2 +1CD Ravel's Violin Sonatas, Pasquier and Engerer on Harmonia Mundi (1990) 7/1/14 Bartok #1 +1CD Mark Elder's Bluebeard's Castle with G. Howell and S. Burgess (1992) 6/29/14 Beethoven: Quintet Arrangements (Symphonies-Overtures-Chamber Music) Added new disc of Beethoven Quintet Arrangements Symphonies Nos.s 1 & 8, Piano Sonatas No. 8, Locrian Ensemble 6/26/14 Boccherini: Quintets opus 56 and opus 57 Added new DL links 6/26/14 Zelter: Goethe Lieder Volumes 1 & 2 Added new DL links for both discs 6/25/14 Debussy #2 +1CD Christiane Oelze's "Locas por Amor" album. Songs by Debussy, Granados, Wolf, Turina, Mompou. 6/25/14 Debussy #5 +2Cds Images, Estampes + Ravel's Gaspard & Valses + Schumann's Kreisleriana: Sergio Fiorentino. 6/22/14 Weill +3CDs, Dreigroschenoper's original recording with Lotte Lenya (1930) and 2 Stratas' Songs albums from the 80s 6/22/14 Mozart: Piano Concertos Hogwood/ Levin/ AAM Added new DL links for Concertos 11-13 & 19-20. 6/19/14 Vanhal- Klavierquartett op. 40 Added new DL links 6/19/14 Byström- 3 Sonatas for Keyboard & Violin, Op. 1 Added new DL links 6/19/14 Hummel: Chamber Music + 1CD Grand Sonata for mandolin & Piano 6/15/14 Cimarosa: Le Sonate Per Fortepiano, Vols. 1 - 3 New Links added 6/13/14 Beethoven: Quintet Arrangements (Symphonies-Overtures-Chamber Music) +1 Digital download of the SACD Beethoven's Symphony No. 3 and Overtures arranged for String Quartet 6/8/14 Mozart: 3 Piano Concertos K107; Symphony No 14 New Links added 6/8/14 Mozart: Piano Concerti Nos 1-4, Pasticci / Bilson New Links added 6/8/14 Mendelssohn String Symphonies New Links added 6/4/14 Berg Concertos +1CD Berg's Violin Concerto (and Brahms's) with Capuçon and Harding on Virgin Classics (2011) 6/4/14 Brahms Piano & Chamber Gems +1CD David Lively's recording of Sonata Op. 5 and Ballades Op. 10 (1993) 6/4/14 Prokofiev Vol. 1 +2CDs: Bernstein's 5th with the IPO and Mark Elder's October Cantata + Shostakovich Symphony No. 2 6/4/14 Debussy #5 Préludes +1CD Catherine Collard's recording for RCA (1993) 5/30/14 M Haydn: Chamber Music Added new links (Hotfile link is dead) 5/29/14 Piano Trios! Piano Trios! +2CDs Schubert Piano trios & Tchaikovsky Piano Trios. Posted on behalf of Arscan 5/27/14 Strauss #3 +1CD 'Also sprach Zarathustra' Mehta & the Israel Philharmonic on Decca (The Anniversary Season 2007) 5/27/14 Mahler Lieder +1CD Charles Mackerras's Des Knaben Wunderhorn on Virgin Classics (1990) 5/24/14 Des horizons #1 +1CD Koechlin's Seven Stars Symphony and Ballade on EMI with Pellié, Rigutto and Myrat (1982) 5/21/14 Bartók #5 +1CD Boulez's classic recordings of Concerto for Orchestra and Music for Strings... on CBS 5/20/14 Shostakovich #1 +1CD Vladimir Ashkenazy and the Royal Philharmonic Orchestra (1992): Symphonies Nos. 9 and 15 5/20/14 Des horizons #1 +1CD Leonard Bernstein's 1982 recording of Franck's Symphony in D Minor with the ONF 5/19/14 Messiaen +3CDs, Steven Osborne's and Y. Loriod's 20 Regards + P. Serkin & Y. Takahashi's Visions de l'Amen 5/19/14 Mahler 2 +1CD Solti's recording for Decca in Chicago (1981). Davide's rip/scans 5/15/14 Debussy #5 Préludes +1CD Debussy Images I & II and Pour le Piano + Chopin selected works by Ivan Moravec 5/15/14 Debussy #5 Préludes +1HQDDL Newena Popow's recording for Blumlein (2008) 5/15/14 Debussy #5 Préludes +1CD Steven Osborne's recording for Hyperion 5/15/14 Debussy #5 Préludes +4CDs Ogawa and Thiollier, Préludes, Images I & II, Images oubliées, Estampes etc 5/14/14 Debussy #4 Etudes +1CD Noriko Ogawa's 2007 recording for BIS 5/14/14 Debussy #4 Etudes +1CD François-Joel Thiollier 1997 recording for Naxos 5/9/14 Des horizons #2: +1CD Ravel's Piano Music, Samson François's classic 1967 recordings for EMI 5/9/14 Debussy #5 Préludes +1CD Samson François's classic 1970 recordings for EMI (incl. Images, 5 Etudes etc...) 5/9/14 Debussy #4 Etudes +2CDs Jeffrey Swann (1988) and Walter Gieseking's reference recording on EMI (1956) 5/7/14 Mahler 3 +1CD Mehta's 1978 recording for Decca with M. Forrester and the Los Angeles Philharmonic 5/3/14 Mahler 8 +1CD Donald Runnicles recording at the 2010 Edinburgh Festival 5/3/14 Rachmaninov Vol. 1 +1CD 2nd Symphony with Edward Downes and the BBC Philharmonic (1994) 5/3/14 Prokofiev Vol. 1 +1CD 5th Symphony with Christoph Eschenbach and the Houston Symphony Orchestra (rare CD 1994) 5/3/14 Mahler 5 +2CDs Solti and the Tonhalle-Orchester Zürich (1997) and Saraste with the Finnish Radio SO (1991) 4/29/14 Messiaen +1DDL Colin Andrews, organ: L'Ascension and Messe de la Pentecôte (2010) 4/28/14 Mahler 6 +1CD James Levine and the London Symphony Orchestra (1979) 4/27/14 Mahler 7 +1DDL Mehta and the Israel Philharmonic Orchestra on Decca (2007) 4/27/14 Mahler 5 +1CD Tennstedt and the LPO (1988) 4/27/14 Mahler Das Lied von der Erde +1CD Haitink and the Gustav Mahler Jugend Orchester, Mahler Feest 1995 4/17/14 Mahler 4 +1CD Simon Rattle's and the CBSO 4/8/14 Debussy Etudes +1DDL Jan Michiels (on Erard 1892 piano) "Le Tombeau de Debussy" 3/30/14 Intense Bruckner +3CDs Wand's 4th in Munich, Haitink's 7th in Chicago and 9th classic Concertgebouw recording 3/28/14 LAMENTATIONS OF JEREMIAH +1CD Lassus - Lamentationes Jeremiae Prophetiae - Herreweghe (1989) 3/27/14 LAMENTATIONS OF JEREMIAH +1CD Zelenka - Lamentationes Jeremiae Prophetiae - Jacobs (1983) 3/25/14 Mahler 9 +1DDL Tilson Thomas and the San Francisco Symphony (2005) 3/25/14 Mahler 7 +1CD Barenboim and the Staatskapelle Berlin (2006) 3/4/14 Mahler Das Lied von der Erde +1CD Karajan's recording from 1975 (new rip from MIMIC's member Sasha) 3/3/14 Haydn Rarities: Nelson Mass & Mass Brevis in F (Re-instrumented Versions) Adde
The other shoe dropped at the Metropolitan Opera last week, with James Levine now officially out (effective next month) as music director. At the moment, nothing is much different, with the only lineup change a year from now in the new Carsen Rosenkavalier, now to be conducted by the prolific TBA. The change will come when a new man takes up the post. We approach the tenth anniversary of Peter Gelb's sole management of the house, and with the press alternately cheerleading and distracted by side issues and Levine hampered first by his Boston work and later by his much-discussed health problems, Met offerings have more and more reflected Gelb's and only Gelb's idea of the art. The general aesthetic stagnation has characterized most of the latter half of Gelb's tenure. (2013's Parsifal and Falstaff were stupendous exceptions... there has also been some glorious singing, but most of it's been by those Gelb did not himself prefer.) Whether or not the new music director will have the experience or weight to much affect the course of the institution right away, his institutional presence and likely longevity in the post make it probable that this will be the single most important decision of the Gelb era. The most characteristic choice would have been Fabio Luisi - skilled, European, and interpretively chilly - but fortunately that's much less likely now. To me, the wonder is that the current obvious choice would be a good one: young French-Canadian conductor Yannick Nézet-Séguin, who debuted here as the best part of the Eyre Carmen in 2009 and took over at the Philadelphia Orchestra in 2012. Though his operatic repertoire is still limited, each of his Met runs has been electric, balancing a natural sense of the larger-scale shape with the dramatic urgency and fire too often missing in the house. He's also - and it seems to matter as far as getting the job - young, engaging, and easily marketable. Philadelphia offered an optimistic-sounding statement that didn't exactly answer the question (as indeed they couldn't). I have, of course, heard complaints about Nezet-Seguin's imprecise technical stick work, which may be why we see a name like Gianandrea Noseda, a former Gergiev protege, also prominent in the rumor mill. Noseda wouldn't be a terrible choice for the same reason that he wouldn't be a particularly good choice: although he's proficient and certainly has been exciting at times, he's still a little musically faceless. If we're to look at recent guest conductors besides Yannick, Nicola Luisotti (currently at SFO) and Daniele Gatti (about to take over at the Concertgebouw) made much stronger impressions in recent years. We'll see.
“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.” So claimed the first Klytämnestra, Ernestine Schumann-Heink. The 20th and 21st centuries would have much to say about the “nothing beyond” part, but Strauss and Hofmannsthal’s bloody one-act tragedy has never left the repertory. In a good performance, it can still grip, disturb, and haunt as it did in 1909. Elektra’s tardy 1932 Metropolitan Opera premiere was reported in the New York Times to have received 15 minutes of sustained applause. Critic Olin Downes wrote that in eight years of covering the Met, he had never witnessed such audience enthusiasm. Surprisingly, then, Elektra’s Met history remained spotty until the 1960s. Of 101 performances in the archive at this writing, 82 took place between 1961 and 2009. On Thursday, an acclaimed Elektra (the final one described below) arrives at the Met, replacing a 24-year-old production not seen since the work’s 2009 centenary. When La Cieca suggested I write a piece comparing and contrasting the opera’s available DVDs, I was intrigued enough to accept the challenge, with some trepidation. Only two productions were unfamiliar to me, but I wanted to give even familiar ones a fresh look, not relying on impressions, favorable or otherwise, from years ago. Fortunately, Elektra is under two hours long. No matter how this entry is received, there will be no Götterdämmerung follow-up. Thousands of words could be devoted to any of these performances. In covering all eight, I cannot say everything I would like to say about them. I ask the reader’s forbearance, and hope the overview can make up for in breadth what it lacks in depth. The 1989 Vienna, 2010 Salzburg, and 2013 Aix performances open only the first of a half dozen standard stage cuts, four lines for Klytämnestra as she vows to wrest the sacrificial victim’s name from Elektra (“Sagst du’s nicht im Freien”). The remaining performances exercise this cut and all others. To hear Elektra note-complete, look to the recordings of Georg Solti (Decca) and Wolfgang Sawallisch (EMI). //www.youtube.com/watch?v=vCTY1dZhqYs The earliest performance under consideration is a 1980 Met telecast conducted by James Levine, a revival of a 1966 production created by Herbert Graf, set by Rudolf Heinrich. I have no trouble believing contemporary reports that this was a good production in its day, but much in the opera world had changed by 1980, still more by 2016, so the interest here is nostalgic and anthropological more than theatrical. We get an idea of how Elektra might have been staged a half century ago, but detail is hard to make out. Television director Brian Large stays close to the singers and is stingy with views of the entire stage; Gil Wechsler’s lighting is low. The serving women put us on notice early by lining up in stiff formation to belt out their lines. When the principals, all old pros, begin to trickle in, the performance gets somewhat more dynamic, but the revival direction is a study in caution as opposed to care. Birgit Nilsson and Leonie Rysanek had brought their sister act to this production when it was new, and had starred in two classic radio broadcasts of it. Here, one must decide whether the glass is half empty or half full. On one hand, they were filmed in signature roles before it was too late. On the other, it was still late. Nilsson at 61 is gingerly in movements and sounds near the end of the line, soldiering through a whiter, shriller, less reliably pitched facsimile of her classic interpretation. She has an interesting face at rest and listens well. Rysanek has more capital to spare and remains a gleaming, if mature Chrysothemis. Mignon Dunn’s good taste is a reminder that Klytämnestra as other than scenery-chewing gargoyle is not a recent discovery. Levine’s brash conducting serves up energy without intensity. While he had already brought the orchestra he inherited a long way, there was room for improvement. //www.youtube.com/watch?v=iqLQ-H_PaIU Of greater visual and dramatic interest is Götz Friedrich’s studio film , made in the summer of 1981 with a prerecorded soundtrack. Mycenae is awash in rain and blood. The inhabitants’ gray pallor suggests prolonged deprivation of sunlight. A modern factory looms over ancient ruins. We never get a clear spatial sense of this environment, and the confusing layout, which at first seems a filmmaking weakness, may be conceptual. Although one of the more successful examples of its kind, Friedrich’s film suffers from the usual problems of opera in this medium: imperfect synchronization; disconnects between what we see and hear (the Fifth Maid sings out securely while being realistically flayed); the fundamental artificiality of operatic singing coming from people who are not producing their voices. This is, even so, gripping work from a major director. Friedrich uses the medium to flash back to the murder of Agamemnon as Elektra describes it. Noted German tragedian Rolf Boysen plays the mute role of the slain king, staring with sad eyes at his daughter. Pagan rituals are given gruesome cinematic treatment. Although the Chrysothemis (Catarina Ligendza) is not among the more impressive in this survey, Friedrich teases out ambiguity and inner conflict in the scene of Elektra’s quasi-incestuous overtures to her. Elektra dances as though astonished to discover she can move again. At the end, she has collapsed but still blinks. Both sisters are shut out of the palace, having no place in the new order. Rysanek undertook the title role only under studio conditions. In her time, it may not have been considered her assignment, but she sounds better endowed than some successors. She brings shimmer and float to the lyrical music, and if she does not make the rest sound easy, she makes it sound plausible. This Elektra convinces as the enthralling beauty turned harridan. The time was right for the experiment, and one can overlook a few overshot pitches. Astrid Varnay brings off a grotesque “veteran” Klytämnestra with relish and style. Karl Böhm, near the end of his life, tends to linger and underline, not always to his cast’s comfort, but the sound of the Vienna Philharmonic in this music is difficult to resist. The eerie glow of the strings following Elektra’s “zeig dich deinem Kind” haunts the ear. //www.youtube.com/watch?v=sfWr-4GUqmQ Like Friedrich, Harry Kupfer (1989, Vienna) renders the psychological chaos physical: Mycenae is regressing to a primordial state. Minor characters wriggle on the ground like specimens under a microscope. Everyone wears shapeless garb, the women are sexless drudges with covered heads, and even the queen’s garment is tattered. The one bright color is the scarlet of Chrysothemis’s chemise, which she uncovers as she sings of new life. The stage is dominated by an enormous statue of Agamemnon, its foot bearing down on a globe. The statue has been decapitated (the head is upstage), and ropes are attached to the body for leveling. Elektra clutches the ropes and never ventures far from the statue’s base—a protesting zealot. The Orest scene, a dramatic lull in some rival versions, receives its fullest realization, and Franz Grundheber is the best Orest on any of these videos. Orest could be a traumatized veteran, returning from offstage horrors of his own. “Er freute sich zu sehr an seinem Leiben” is the sound of a man for whom joy is a dim memory. The lines are not deceptive, one realizes: the younger Orest described is dead. Claudio Abbado and the Viennese players whisper and groan of secret, subterranean things, and early exchanges between brother and sister are muted, dreamlike (I was reminded, oddly, of the heroine’s husband stepping out of the fog in the film The Others). As haunted as this Orest is, he is better off for having been away. He retains a humanity that spreads outward to Elektra even before the recognition, which plays with real terror. Elektra’s dance consists of grasping a rope and circling the statue. It appears she is trying to pull it down on herself to perish under its weight, but she can only bind herself to it more tightly. She dies in the exertion, crumpling against her “father.” Her sister and brother (he with bloody hands) look on. Eva Marton’s obdurate, forceful Elektra provides a strong center, and Cheryl Studer brings urgency and heated steel to Chrysothemis’s counterarguments. The great Brigitte Fassbaender’s lunatic Klytämnestra is so rife with vocal and histrionic overstatement (“schlacte, schlacte, schlacte” intoned in camp frustration, fists pumping) that almost nothing is “stated.” Vivid it may be, but it is also wearying. The playing under Abbado is swift and lean, with long lines uncoiling, thoughts coalescing into the bigger picture – superb. Not everyone thought so. A vocal minority boos him and Kupfer at the end. //www.youtube.com/watch?v=w8mL9tWk1Qo Although Otto Schenk’s Met production was only two years old at the time of a 1994 telecast , it is little more vital than its Met predecessor. Jürgen Rose’s slanted palace/courtyard, rendered in the colors of nausea, gives the singers a cluttered area in which to move about. Like many Met productions of this era, it was more reassuring to conservative visual tastes (including those of its commissioners) than it was helpful to the performers. Presumably the first revival director realized Schenk’s intentions, but the production fails to make something strongly unified of its participants’ disparate styles. It is difficult to see what here required a producer of international reputation to make it happen. Recording balance favors Levine and his orchestra, which had greatly improved over 14 years. Levine’s reading is more settled, although still long on flash and bombast. Deborah Voigt was at this time a raw, awkward stage performer, but her Chrysothemis is a welcome reminder of the big, plush voice with which she began. Fassbaender’s Klytämnestra by now is impervious to parody (she has done all possible exaggeration herself), and it is less well framed by this blandly impersonal production than it was in Vienna. Hildegard Behrens’s Elektra discloses intelligence in preparation, and there is something of the decaying beauty in her charismatic presence. She sets off a bottle rocket of a high note once in a while, but is battling a recalcitrant middle register, gritty and toneless. Her dance, full-bodied and unhinged, is the high point of her performance. We close on Chrysothemis shouting for Orest, pounding futilely on the door. //www.youtube.com/watch?v=MmKWji76qu8 Martin Kusej was the youngest of these directors at the time his production was new (2003, Zurich; filmed 2005), and it shows. His is the zaniest of the eight Elektras, the most freewheeling, the funniest…and the most likely to infuriate traditionalists. Elektra frets over not having given Orest the ax when Orest has a platoon of ax-wielding supers in white following him (“I think they’ve got it covered,” one wants to tell her). Later, a Brazilian samba troupe invades to flaunt their plumage and wiggle their butts; Elektra leaves the dancing to the pros. There is more going on than irreverence, however. When one character admonishes another (or more than one) to be quiet, the admonishments play powerfully. There are ears everywhere. There are other organs too. Klytämnestra and the rouged-up bear Aegisth preside over sex parties and maybe worse unseen. The serving women brandish S&M gear and change into sexy maid costumes for their day on the job. The staging area is indoors, on a floor as uneven as sand dunes. Four doors on either side and another upstage open on blinding light and ominously sterile, padded rooms (“Mach keine Türen auf in diesem Haus,” indeed). Many supers scamper through: men, women, one child. It is the sort of production that makes you briefly wonder why someone nearly voiceless was entrusted with a small part, and then you think, well, of course: he looks good without pants. Christoph von Dohnányi conducts cannily in consideration of the least impressive of these casts. Eva Johansson (Elektra as sullen, alienated youth in hoodie and fingerless gloves) and Melanie Diener (Chrysothemis) create a relationship of interesting volatility. I wonder if, in an earlier era, they would have been steered toward these roles. Each appears preoccupied with driving out sound; they punch through with effective “moments” but lack command and sweep. Johansson’s “Orest! Es rührt sich niemand” is her vocal highlight, luminous and supple. Marjana Lipovsek (Klytämnestra) matches up well physically with Johansson and gamely models self-absorption, barking at underlings to leave her when they already have stopped listening and wandered off. Her mezzo, formidable in its prime on Sawallisch’s recording, was showing erosion by 2005. By the conclusion, we may wonder how much of what we have seen was in Elektra’s disturbed mind. Kusej has considered potential meanings of “Ob ich die Musik nicht höre? sie kommt doch aus mir.” Either way, a point is made: the heathens having been smitten, one type of excess has pushed out another. Chrysothemis, who had worn white throughout, has completed a transformation to the Virgin. Elektra returns to the pose of watchful disapproval she had held at the start, rebelling against whatever they’ve got. //www.youtube.com/watch?v=LmQPZ7uCOes Herbert Wernicke’s 1997 production was revived at the Festspielhaus Baden-Baden in 2010, eight years after its director/designer’s death. It recalls an aesthetic in vogue as the millennium approached, typified by Carsen’s Onegin, Wilson’s Lohengrin, Dorn’s Tristan: abstract and spare, with limited props, the story dramatized with light, space, and bold colors, usually one dominant shade at a time. Though an artifact of its era, this is a cogent, intelligent staging, attractively designed. A large square panel tilts and pivots to expand and contract the playing area, also effecting entrances and exits. Wernicke makes much of physical distance, widely separating the characters even when two are in conversation. Follow-spots are like psychological prisons. We are almost an hour in before there is any person-to-person physical contact. Even that contrarian maid is not assaulted in view. Elektra does not dance at all, but does fall dead (of self-inflicted ax wound) on cue. Chrysothemis looks on from a staircase, dazed. The ascendant Orest, already beyond fraternal cares, raises an arm, and one thinks of fascist salutes, although his palm is upturned. Musically, things get off to a promising start with an uncommonly strong group of serving women. The DVD would be worth acquiring for the conducting of Christian Thielemann alone. This is one of the great readings of Strauss’s score, breathtaking in color, weight, and flexibility, with chilling silences. From Jane Henschel, we have a golden-age Klytämnestra. She gets in her share of the traditional mugging, but in none of these performances is the role more firmly and honestly sung. It is the work of a complete musician in command of a voice with power and pliancy; nothing is cheated or tossed off. Linda Watson and Manuela Uhl generate a very loving Elektra/Chrysothemis relationship (too healthy?). Watson had stepped in for another singer and learned the title role quickly. She cuts a stately, regal figure, well suited to a production that does not call for bounding around the stage. Up to a point, her sound is rich and colorful; low notes are steady and beautiful. Unfortunately, the part tests the less reliable top of her voice, and there are scooping, flapping, and approximate pitches on high. Uhl manages cautiously, and while she brings touching fragility to Chrysothemis, we have seen that there can be more than this. //www.youtube.com/watch?v=4yVDjsthCnU Nikolaus Lehnhoff’s 2010 Salzburg production is all festival luxury , from the three Isoldes at its center outward. Raimund Bauer’s set is full of pits and crevices, and the palace leans backward, a proud edifice that has improbably survived some cataclysm and is still standing… just. Aegisth is in a 1940s suit, and the Overseer’s uniform evokes the SS. The familial resemblance here is between Chrysothemis and the glamorous Klytämnestra, who share coloring and favor plum tones. Iréne Theorin, Elektra as violating wraith, is almost unrecognizable, her blue eyes peering out from behind a chalky death mask under a wig of black straw. Theorin enunciates clearly and wins some points for subtlety. More than any of the others’, her “Allein! Weh, ganz allein!” at first sounds “allein,” an abandoned child’s call in the dark. But the strongest performances are Eva-Maria Westbroek’s self-possessed, radiantly feminine Chrysothemis and Waltraud Meier’s refined Klytämnestra, a beleaguered queen overshooting the mark at keeping up appearances of vitality and beauty. Meier does not have the vocal firepower of Henschel in the previous performance, but she does so much with words and music that it all seems new. When she sings of “der kühlen Luft,” that cool air steals through the tone—a small miracle. Her scene is an array of such expressive touches, all shaped and balanced with an artisan’s care. Lehnhoff has his Klytämnestra gradually shedding diva accoutrements (sunglasses, turban, fur) as the confrontation gets more “real.” Meier had performed similar routines for him as Venus and Kundry. The singer’s imagination this time surpassed that of her director. Benjamin Hulett’s exceptional Young Servant has perfect rhythm and attack, and none of these Aegisths has more voice than Robert Gambill, who had been Lehnhoff’s Tannhäuser a couple years earlier. René Pape coasts through a bass Orest on suave tone. The VPO under Daniele Gatti provides a bruising, high-sheen musical framework. As Kupfer’s totem was a statue, Lehnhoff’s is Agamemnon’s coat, passed from character to character. Rather than dancing, Elektra staggers and crawls toward the coat. A garage door opens to reveal the slaughtered queen hanging upside down. Elektra’s final act before dying is to “crown” Orest by placing the coat on his shoulders. The production ticks all the expected boxes and a few unexpected ones—it is the only one to suggest in the closing moments what was ahead for the Orestes of Greek tragedy. There is much to admire, but a glib, fussed-over quality, with roteness to the Personenregie, keeps it from the highest level. //www.youtube.com/watch?v=Q82lQQSTQKg Each of the seven previous productions was created by an Austrian or German man of the theater. Patrice Chéreau, whose own last dance the 2013 Aix-en-Provence Elektra proved to be (he would succumb to cancer two months later), concluded with something similar to his famous 1976 Bayreuth Ring: a Frenchman’s radical rethinking of a German masterpiece. It is radical not for being shocking or perverse (next to Kusej’s, it is quite sober), but for taking nothing for granted in Strauss and Hofmannsthal’s opera. In every scene, there is evidence of fresh thought, big questions of “why” and “how” having been pondered, decisions arrived at. If something plays as it often does, it is not out of adherence to tradition but because it was the logical outcome. What emerges is not Elektra as it “should” be done, but Elektra as it can be done, an Elektra that is special and personal. While it is unfolding, its choices seem inevitable. This is Regietheater when it works, and any aspiring director of opera should give it a close study. Richard Peduzzi’s set is not the typical ruin, nor is it angled or distorted. It is orderly, bloodless, scrubbed to the look of clean bone. The chaos is in the people: their eyes, their bodies, their voices. This is the most compassionate Elektra I have seen, and the saddest. Chéreau grants everyone from Elektra to Aegisth down to the meanest serving woman depth and humanity. All are locked into their roles and await the consequences of their actions. To choose a side in the conflict would be like rooting for wind, water, or stone. In a modern-dress Mycenae teeming with femininity (there are more women than there are singing parts), Elektra is, tellingly, the only woman not wearing a skirt. Evelyn Herlitzius’s singing is not flawless in emission or pitch, but no Elektra is more fascinating to hear and see. Hers is a performance of visceral intensity, so desperate and wild in vocalism and physicality that it seems pointless to separate the components. Meier again brings discernment and elegance to Klytämnestra’s music and bearing. In collaboration with her favorite director, she finds even deeper truth than she had for Lehnhoff. When she and Herlitzius are onstage together, great drama happens; it does not even need to be qualified as “music drama.” Adrianne Pieczonka (Chrysothemis) and Mikhail Petrenko (Orest), not as searing or as individual in handling of the text, nevertheless uphold the high standard. The murders take place onstage, and Tom Randle’s stylishly underplayed Aegisth gets a moment of horror and grief over his lover’s body. There are great, familiar faces in small roles: Donald McIntyre (Orest in the two Met performances) as the Old Servant; Franz Mazura as an ancient, dangerous Guardian; Roberta Alexander as an incomparably moving Fifth Maid. The oldest servant, with the longest memory, her eyes brim with tears. Esa-Pekka Salonen’s conducting of the Orchestre de Paris is unusually lithe, full of quicksilver fantasy yet not stinting on accumulated force. Stéphane Metge‘s video direction is of surpassing sophistication. Herlitzius’s dance is that of a mad puppet on unseen strings. As the hollowness of Elektra’s triumph sinks in, the death is a psychic one. His deeds done, Orest departs, heedless of Chrysothemis’s call. He leaves behind his sisters and those courtyard hounds that had recognized and welcomed him–here, a reference to the servants. In this extraordinary production, nothing is more extraordinary than the marriage of modern psychology to the elemental power of classical tragedy. Surely that is “what the composer and librettist intended.” Although even the least of these performances has elements of distinction, two stand above all others, putting the most greatness in one place: Salonen/Chéreau and Abbado/Kupfer. This trip through a rich operatic videography was both an education and a great pleasure. I hope I have conveyed something of that to the reader.
Productions are in order; bold indicates a debut; I may have omitted some one-off cast combos. On the whole, there are some things to look forward to, but with Gelb going all in again on his favored Euro sopranos of a certain demeanor, it's a lot less appetizing than the current season. Good casts seem paired with poor productions and vice versa. Tristan (new Mariusz Treliński production) Stemme, Skelton, Gubanova, Nikitin, Pape / Rattle (September-October) Stemme, Skelton, Gubanova, Nikitin, Pape / Fisch (October) One of the successes of the late-Volpe era gets replaced by a director whose strength -- and, as this fits the Gelb director profile, I suppose I shouldn't have been surprised -- is in wallpaper and whose insight/interest in the human side is vestigial. Stemme and Pape are major cornerstones, but Skelton hasn't been inspiring. Simon Rattle may do well, but when might Daniele Gatti return after his stupendously concentrated Parsifals? Don Giovanni Keenlyside, Plachetka, Gerzmava, Byström, Malfi, Villazon, Rose, Youn / Luisi (September-October) Abdrazakov, Rose, Byström, Majeski, Sierra, Vargas, Plachetka, Youn / Luisi (November) Kwiecien, Schrott, Meade, Rebeka, Leonard, Polenzani, Cha, Kocán / Domingo (April-May) The November cast -- with longtime Leporello Ildar Abdrazakov finally swapping to the title role -- is probably the pick of these, although the October 15 performance with Paul Appleby as Ottavio is also an option. Schrott's fantastic Leporello could make something of the spring cast... but Domingo's awful conducting makes that exceedingly unlikely. La Boheme Yoncheva, Phillips, Popov, Bizic, Pogossov, Green, Del Carlo / Rizzi (September-October) Opolais, Kele, Beczala, Cavaletti, Carfizzi, Green/TBA, Del Carlo / Armiliato (November-December) Pérez, Phillips, Fabiano, Arduini, Lavrov, Van Horn, Del Carlo / Rizzi (January) Carlo Rizzi is conducting again at the Met!? Ukrainian tenor Dmytro Popov and Romanian soprano Brigitta Kele debut in different casts. The most notable combo may be the last: Michael Fabiano's last Rodolfo here was not only great in itself, but seemed to take decades of age and cynicism off of Angela Gheorghiu as Mimi. Perhaps he can similarly inspire fellow Tucker winner Ailyn Perez. L'Italiana in Algieri DeShong, Barbera, Alaimo, Abdrazakov / Levine (October) Elizabeth DeShong goes from bit parts to the title part in this Rossini revival, opposite veteran wonder Ildar Abdrazakov and 2008 Met Council winner Rene Barbera. Guillaume Tell (new Pierre Audi production) Rebeka, Brugger, Pizzolato, Hymel, Finley, Spotti, Youn, Relyea / Luisi (October-November) The strong cast -- led by Bryan Hymel (except for one night, November 2, where it's John Osborn) finally again in his element as Arnold -- and rarity of this Rossini opera would make it an obvious highlight if not for the weakness of Audi's previous Met production. That Attila was at least watchable, however, so this show can probably survive. Jenufa Dyka, Mattila, Schwarz, Brenna, Kaiser / Robertson (October-November) For a dozen years, Karita Mattila was the unacknowledged raison d'être of the Metropolitan Opera, returning year after year to repeatedly re-embody the secret of tragic opera -- the excess of life and spirit that pushes back against awful circumstance -- in runs that were as significant as they were (generally) under-promoted. This ended with spring 2012's run of The Makropulos Case. Four-plus years later, Mattila returns in an opera and production she triumphed in twice... but she's now in the older-woman role of the Kostelnička. (You can see Mattila in this new part in San Francisco this summer.) Interestingly, another long-absent singer -- Hanna Schwarz, once a regular with the house Ring company, who has in fact been gone since 2002 -- returns to sing the Grandmother. Unfortunately Jiri Bělohlávek, Mattila's great collaborator in the pit, does not return. But David Robertson will surely do better in Janacek than in Mozart... right? Aida Monastyrska, Gubanova, Berti, Delavan, Belosselskiy, Howard / Armiliato (November) Moore, Gubanova, Berti, Delavan, Belosselskiy, Howard / Armiliato (November-December) Stoyanova, Urmana, de Leon, Gagnidze, Morris, Howard / Rustioni (March-April) Stoyanova/Moore, Urmana, Massi, Gagnidze, Morris, Howard / Rustioni (April) Liudmyla Monastyrska and Latonia Moore have already sung the title part at the Met: the former did not impress but the latter apparently did. Marco Berti is probably miscast as Radames, though I know nothing about alternate tenors Riccardo Massi, who's sung one performance at the Met, and Jorge de Leon, who's sung none. Manon Lescaut Netrebko, Álvarez, Maltman, Sherratt / Armiliato (November-December) Marcelo Alvarez should bring something to this stillborn production (full review soon), but I'd be surprised if Anna Netrebko could fix its many title-character-related issues. L'Amour de Loin (Met premiere production by Robert Lepage) Phillips, Mumford, Owens / Mälkki (December) Excellent cast for an iffy opera and show. Salome Naglestad, Herrera, Siegel, Wang, Lučić / Debus (December) German-based American soprano Catherine Naglestad has had success with the title part abroad and heads a promising cast. (Like many New Yorkers, though, what I'd really like to see is whether Gun-Brit Barkmin could repeat her recent triumph in a fully staged version). Greer Grimsley sings Jochanaan on the run's final night. Nabucco Monastyrska, Barton, Thomas, Domingo, Belosselskiy / Levine (December-January) Melnychenko, Herrera, Diegel, Lučić, Belosselskiy / Levine (Dec 27) Levine and the chorus have already made this show work with lesser principals. Lucic also has one show with the main cast on Dec 30. Roméo et Juliette (new Bartlett Sher production) Damrau, Verrez, Grigolo, Madore, Petrenko / Noseda (NYE-January) Yende, Murrihy, Costello, Wang, Rose / Noseda (March) As in this season's Pearl Fishers, Amanda Woodbury is scheduled for one night (Jan 25) with the initial cast. That night aside, the March cast looks on the whole more promising from top to bottom. Magic Flute (family version in English) Claire/Brugger, Pratt, Bliss/TBA, Maltman, Shenyang, Robinson / Walker (December-January) Claire, Lewek, Bliss, Maltman, Shenyang, Robinson / Walker (December-January) Kathryn Lewek is the best Queen of the Night I've ever heard. But of course I haven't heard Aussie (by way of England and Italy) soprano Jessica Pratt... Il Barbiere di Siviglia Yende, Camarena, Mattei, Muraro, Petrenko / Benini (January) Yende, Korchak, Mattei, Muraro/Lanchas, Petrenko/Gradus / Benini (January-February) It's characteristic of the Gelb regime's misallocation of roles and promotional opportunities that Peter Mattei, the definitive Don Giovanni and Onegin of our era (not to mention Amfortas or Wolfram), appears this season only in a part he's not particularly good at: Rossini's Figaro. And I'm sure he and Yende and Benini will provide some fun... but it's still a waste. Carmen Koch, Agresta, Álvarez, Ketelsen / Ettinger (January) Margaine, Agresta/Brugger, Álvarez, Ketelsen/Simpson / Ettinger/Langree (February) Sophie Koch, nondescript in her debut as Massenet's Charlotte, alternates with another French mezzo, Clémentine Margaine, in the title part. Micaela is also the second scheduled part this season for Janai Brugger, standout winner of the 2012 Met Council Finals. Rigoletto Lučić, Peretyatko, Volkova, Costello, Mastroni / Morandi (January-February) Lučić, Peretyatko, Herrera, Calleja, Kocán / Morandi (April) Solid revival of a solid show. Debuting conductor and former La Scala oboist Pier Giorgio Morandi seems to have a career primarily of traveling around conducting Italian operas, though that doesn't really indicate quality either way. Rusalka (new Mary Zimmerman production) Opolais, Dalayman, Barton, Jovanovich, Owens / Elder (February-March) I have a rather sour opinion of Opolais from last week's poor Manon Lescaut, but the rest of this show looks quite good. I Puritani Damrau, Camarena, Markov, Pisaroni / Benini (February) If you think Diana Damrau is a convincing fragile bel canto heroine, you'll love this. I've not, however, seen evidence to that effect. Werther Grigolo, Christy, Leonard, Bizic / Gardner (February-March) Borras, Christy, Leonard, Pershall / Gardner (March 9) Italian mezzo Veronica Simenoni debuts with a single performance as Charlotte on February 23. Perhaps she or Isabel Leonard can give this romance-novel daydream of an opera some spirit. La Traviata Yoncheva, Fabiano, Hampson / Luisotti (February-March) Giannattasio, Fabiano, Hampson / Luisotti (March) Giannattasio, Ayan, Petean / Luisotti (March-April) Giannattasio, Ayan, Domingo / Luisotti (April) With Michael Fabiano singing Alfredo and Nicola Luisotti back for the first time since his 2010 Fanciulla triumph, the musical side of this revival is pretty appetizing. It nevertheless remains the worst production in the Met's repertoire. Idomeneo Polenzani, Sierra, van den Heever, Coote, Opie / Levine Not hugely confident in the overall cast, but Levine in Mozart is pure magic when things work. Lindemann soprano Ying Fang sings one performance instead of Sierra on March 17. Fidelio Pieczonka, Müller, Vogt, Portillo, Grimsley, Struckmann, Groissböck/Morris / Weigle (March-April) Klaus Florian Vogt had a Met debut that almost defied belief: a never-to-be-forgotten pair of Lohengrins... in 2006. Whether because of casting politics, the failure of the press, the unearthly character of his voice, or his own travel preferences, Vogt's second Met engagement will be almost eleven years later. I'm not sure Florestan is the best part for him; nor am I sure of the rest of the cast. But this revival is something of an event. Eugene Onegin Hvorostovsky, Netrebko, Maximova, Dolgov, Kocán / Ticciati (March-April) Anna Netrebko was a sullen, blank failure in the 2013 premiere of this production, and Elena Maximova was the worse of the Olgas that season. Dmitri Hvorostovsky and Stefan Kocan have, on the other hand, excelled as Onegin and as Gremin respectively. Which will set the show's tone? I suppose I'd have a better guess if I'd seen Robin Ticciati's only Met outing to date, the 2011 holiday run of Hansel&Gretel. Der Rosenkavalier (new Robert Carsen production) Fleming, Garanča, Morley, Groissböck, Polenzani, Brück / Levine The allure of another Robert Carsen production (he's 2-for-2 on masterpieces at the Met) is greatly offset by a topsy-turvy cast. The Marschallin should be cool and Octavian fiery, but Fleming and Garanca are the reverse... not to mention how past it Fleming sounded in her last Met show (2014-15's Merry Widow). Morley should be OK and Polenzani better, but Levine has never been a good fit for this opera's lightness. Der Fliegende Holländer Volle, Wagner, Zajick, Morris, Bliss, Selig / Nézet-Séguin (April-May) One of the few unqualified must-sees. Amber Wagner scored big here some seasons ago in Verdi, but she finally, a decade after her 2007 Met Council Finals win, gets a run in one of the parts for which she was destined. Add Michael Volle as the Dutchman and Yannick Nezet-Seguin in the pit? Great. Cyrano de Bergerac Alagna, Racette, Ayan, Frontali / Armiliato (May) Speaking of old, both Roberto Alagna and Patricia Racette are already 50 and will be more than a year older when this revival appears. Men don't have menopause, but Alagna was struggling mightily in Manon Lescaut this month. The show was great fun with Domingo and Sondra Radvanovsky (unaccountably missing from the 2016-17 schedule); expect less this time. 50th Anniversary Gala I'm not too pleased by the current lineup for this celebration of the New Met, and Crouch's work for the company 125th had both brilliance and inanity, but it's probably obligatory.
“In each country, the Concertgebouw will perform one opening work side by side with a local youth orchestra, and members will give masterclasses and tuition to young musicians. Daniele Gatti will conduct the first concerts of the tour.”
Daniel Gatti (file photo) On Sunday afternoon an intrepid crowd skipped the Patriots’ loss in favor of a Celebrity Series concert at Symphony Hall. The Orchestre National de France (ONF) kicked off a North American tour under music director Daniele Gatti with a conservative-sounding program of Debussy’s Prélude à l’après-midi d’un faune, Mozart’s Piano Concerto No. 23 in A, K. 488, with soloist Alexandre Tharaud (see interview here ), and Tchaikovsky’s Symphony No. 5. Gatti has been a frequent BSO guest, but this is the first time that he has come here at the head of the orchestra he has led for seven years. Debussy wrote an orchestral Prélude inspired by Mallarmé’s landmark poem L’après-midi d’un faune (the BMInt review here ) has more about both the music and the poem). Its flute solo represents the mind of a mythological faun, and Boston Symphony flutist Elizabeth Rowe has given it many distinguished performances. The twist in this performance was that principal Philippe Pierlot played a wood flute, lending a distinct earthiness to this staple of the repertoire. And Debussy’s languid dreamscape was captured exquisitely by the ONF and Gatti, even as they executed with rigor to evoke a sense of fluidity. Tempos ebbed and flowed with orchestra members in perfect synch, giving Gatti the ability to set phrases in motion, then back gently into cadences without losing flow. The orchestra played with a gorgeously hushed yet transparent sound, so that strings, winds, and harp could all be heard perfectly. Tuning was exact, making every dissonance all the more delicious. And orchestra members handed off musical motifs among sections seamlessly, with one striking interplay among concertmaster Luc Hery, principal clarinet Patrick Messina, and principal horn Hervé Joulain. As the faun returned to sleep, the orchestra pulled back to a barely audible conclusion that left the audience breathless. A smaller ensemble returned to the stage with pianist Alexandre Tharaud for Mozart’s Piano Concerto No. 23. Gatti opened with slightly slower tempos than most conductors use but with the same orchestral qualities of transparency, balance, and restraint. Tharaud is known for wide-ranging musical interests and a mercurial style, but here his solos sounded oddly muted. I can’t quite put my finger on what bothered me; there was much to admire in his restrained playing, the lovely handling of the haunting opening to the slow movement, and the brisk give-and-take with various sections of the orchestra. And yet Mozart’s dense passagework sounded sometimes tentative and murky, and there were occasional synch problems with the orchestra. Tharaud played Mozart’s cadenzas, ornamented minimally with repeated material, and apart from an accented appoggiatura in the finale (imitated by the winds), it sounded like 10 or 15 performances of the concerto that I’ve heard before. The orchestra returned in force after the intermission for Tchaikovsky’s Fifth Symphony. This work showcased the ONF’s sound at its opulent best. Principal clarinet Patrick Messina presented the symphony’s opening “Fate” theme with the right mix of melancholy and foreboding. The string section accompanied with ravishing tone and musicianship. Held and sustained notes never felt static, and everything was played with shape, direction, and intent. Then the strings played the 6/8 Allegro con anima march of the first movement with rhythmic precision, marking the first and fourth beats and playing full durations without rushing or slurring, just as crisply and distinctly on the 25th repetition as the second one, and providing beautiful support for the wind soloists’ introduction of the principal theme. Gatti’s tempos ebbed and flowed, with a beautifully judged gradual acceleration to the ecstatic climax of the exposition. The ONF’s transparency of sound allowed you to hear the full contrapuntal density of the first-movement development, with string, wind, and brass motifs in a perfect balance that eludes most conductors. And that same transparency and fierce articulation made the strings’ march rhythm easier to appreciate in the first-movement coda. The second movement opens with a simple chord progression, gradually shifting like a hymn from B minor to the relative D major. Gatti and the ONF strings turned these eight short measures into a moving microcosm of the whole symphony. Then principal horn Hervé Joulain played the movement’s famous main theme in soulful fashion. The orchestra’s sensitive tuning allowed you to appreciate every crunchy dissonance in Tchaikovsky’s score, in a way that is glossed over by lesser ensembles. Another carefully judged buildup of tension exploded in a reprise of the first movement Fate theme, followed by gorgeous pizzicato string chords. The recapitulation of the slow movement had more sonorous low string playing, full but without obscuring the ornaments added by the winds. I can’t decide if I’m more seduced by the slow-burn crescendos, gathering energy and momentum with exquisite anticipation, or enchanted with the way the orchestra backs off from climaxes, with brass sounding plenty powerful but maintaining a ringing tone as they scaled back to gorgeous hushed pianissimos. Alexandre Tharaud The third movement Scherzo offered a nice contrast between the lilting strings and droll commentary from the winds. The fast-moving Trio figure was articulated crisply, and exchanged deftly among first violins, violas, and winds. And in the coda, the Fate theme sneaks in amidst the ebb and flow and syncopation of the other Scherzo material. The ONF showed their virtues again in the Finale, with broad dynamic range, the ability of sections to switch between melodic and accompaniment parts with chamber music intimacy, bracing harmonic pungency, and a thrilling acceleration and intensification to the blazing conclusion. In a last-minute addendum, the orchestra paid homage to former music director Kurt Masur, but in some ways these performances brought to mind the style of another recently deceased conductor: the exacting rhythms, the deft harmonies, the exquisite balances all make you think that this might have been how the Fifth Symphony would have sounded under the baton of Pierre Boulez—if Boulez were ever caught conducting Tchaikovsky. Tharaud proceeds from Boston to Köln, to take part in a program of 21st-century music with the West German Radio Symphony. Gatti and the ONF presented the Debussy and Tchaikovsky sandwiching Shostakovich’s Violin Concerto No. 1 with soloist Julian Rachlin in Paris on January 20th; this program will be repeated before the end of the month in Ottawa, New York, Newark, Greenvale NY, and Washington DC. James C.S. Liu is a physician by day and a baritone and music enthusiast by night. He lives with his wife and daughters in Cambridge, Massachusetts. The post ONF’s Debussy Divine, Tchaikovsky Thrilling appeared first on The Boston Musical Intelligencer .